I was looking something up in a once well-known book called Asian Nights (partly famous because it has headings such as "Go and chloroform"), when I inevitably saw again a photo in the frontispiece of a piece of Go Seigen calligraphy that I find breathtakingly beautiful. I thought I would share it here.
Why do I like it? An old oppo of mine, the late George Hodges once described Oriental calligraphy as a demented spider escaping from an inkpot, and given that many calligraphers choose obscurity as what they - misguidedly, I think - see as hidden art, there is something in that. But those writers who can combine the appearance of mystery, as Go does here with his large swirling lines, yet make the reading crystal clear, to my mind show superior artistic sense. There are also a couple of minor enhancements. The raised position of the first two characters to betoken respect is a nice touch, and the placing on its own of what is the least significant character (heart) calligraphically but perhaps the most important in terms of the message is exquisite. In general, what I notice most about Go's calligraphy is the way he frames the whole piece so precisely on the paper, and he does seem to prefer the paper rectangle over the fan.
As I say, this example is very easy to read, though I'm not sure that the blandness of the sentiment matches the calligraphy: he is saying that though go players do not speak as they face each other, each, while striving to get ahead, shows what is in his heart.
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"Google Translate" ! 
One of my favorite pictures of him is this one from "The Japanese Game of 'Go'", by Mihori Fukumensi, which I discovered (not surprisingly) through SL