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Offline mic
 Post subject: 25. mic (9k) vs. POGO (10k)
Post #1 Posted: Fri Apr 23, 2010 5:25 pm 
Lives with ko
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Posts: 185
Location: Kassel, Germany
Liked others: 66
Was liked: 6
Rank: 6k KGS
KGS: mic
Hello,

this will be my first Malkovich game (ever). I'm so excited, I just can ... should stop singing now and make my first move. We agreed on

  • 6.5 komi
  • no opening books
  • (from my side) one move per day
  • to be fair, friendly and have fun
(I'll change/edit this list, if I have forgotten something)

Pogo, I wish you a lot of fun! Good game.

Click Here To Show Diagram Code
[go]$$c
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , B . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]


Hi,

since I'm trying to improve my go I'll focus my game on a few things, i.e. will hopefully check those/think about them before I make my move:

  • What is my goal? I should not make moves without a particular purpose. Found this quite obvious but somehow inspirating topic in the introduction of Davis Tesuij.
  • What is the consequence of my move -- on KGS I often play moves without thinking enough of the consequences.
  • What is the status of my groups? The groups of my opponent? Urgent before big moves.
  • I'll try to count or guesstimate a score at the end of the opening (move 50+) and from then on every few moves.

These are a lot of things to consider, but on the other hand I am in no rush. I'm really interested how this works out and hope that I can learn a lot.

_________________
Go is easy: don't play bad moves.
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Offline POGO
 Post subject: Re: mic vs. Pogo: Malkovich #25
Post #2 Posted: Fri Apr 23, 2010 9:36 pm 
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Rank: KGS 9k
GD Posts: 98
KGS: Prophet19
Not to sure how to use diagrams "yet" but will update when i figure it out. (meh i used a sgf)

As for myself. most of you know me from GD or KGS as prophet19
I started go by playing turbogo after my wife bought the "birthday board" eventually i joined kgs were ive been taught by Tinstar (CGA Vice presedent) and Shygost.
Ive been playing around 7-8 months or so and have hit a 9-11k level.

Ether way good game!

Click Here To Show Diagram Code
[go]$$c
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , X . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . W . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]


My Standard opening to this kind of move. I normally don't like diagonal games. I play with a more passive style unless i can get what i want by being agressive.

_________________
The unoffical Corndog Of Lifein19x19.
Please,Do not microwave for more then 60 second's as screaming will acure.
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Offline mic
 Post subject: Re: mic vs. Pogo: Malkovich #25
Post #3 Posted: Sat Apr 24, 2010 12:15 am 
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Rank: 6k KGS
KGS: mic
Hello Pogo,

this thread talks about creating diagrams, hope it helps. By the way, I really like your "How I become addicted to go" story :)

One other thing about making moves in diagrams. I currently quote my last move, add Pogos and make mine to prevent seeing his hidden comments. Is there another, more practical way to make moves?

- Mic

Click Here To Show Diagram Code
[go]$$Bc
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , X . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . B . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]


Hello (possible readers),

most of the times I do not have any idea of the proper term for a particular shape or situation but I will be more than happy to learn about them. So feel free to correct me.

I often play openings on the 3-4 point because I want to have the possibility of territory at the beginning and can not porpoerly handle the (kind of) purely influence of 4-4. I've chosen :b3: because it shapes out a nice insert apropriate word here (framework?):

Click Here To Show Diagram Code
[go]$$Bc
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . X . . . . |
$$ | . . . , . . . . . , . . . . . , X . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . X . . |
$$ | . . . O . . . . . X . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . 3 . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]


Of course I think that white will try to prevent my extension to build such a nice framework.

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Offline Chew Terr
 Post subject: Re: mic vs. Pogo: Malkovich #25
Post #4 Posted: Sat Apr 24, 2010 12:21 am 
Gosei
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Rank: KGS 3k
GD Posts: 264
KGS: Chew
mic wrote:
One other thing about making moves in diagrams. I currently quote my last move, add Pogos and make mine to prevent seeing his hidden comments. Is there another, more practical way to make moves?


Below the move your opponent played, there is 'show diagram text'. If you click that, it will give you the code for the board he played, which then you can edit. Then you just have to change his 'W' move to 'O', (to remove the 'I just played here' mark) and play your own move. That's also the fastest way to make multiple similar diagrams.

_________________
Someday I want to be strong enough to earn KGS[-].
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Offline mic
 Post subject: Re: mic vs. Pogo: Malkovich #25
Post #5 Posted: Sat Apr 24, 2010 12:27 am 
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KGS: mic
Chew Terr wrote:
Below the move your opponent played, there is 'show diagram text'.


Argh, you're absolutely right. Thanks for pointing it out :)

- Mic

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Offline POGO
 Post subject: Re: mic vs. Pogo: Malkovich #25
Post #6 Posted: Sat Apr 24, 2010 9:03 am 
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GD Posts: 98
KGS: Prophet19
Hey thank's yeah alot of people seem to enjoy it.

Iv'e also posted about my sons growth

Click Here To Show Diagram Code
[go]$$Bc
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , X . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . W . . |
$$ | . . . O . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]


This is just to big to ignore.
I REALLY do not want him to get this.
As right away he is "stable" and im left with two attackable stones
Click Here To Show Diagram Code
[go]$$Bc
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . O . . . . |
$$ | . . . O . . . . . , . . . . . , X . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . X . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . X . . |
$$ | . . . O . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]

_________________
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Please,Do not microwave for more then 60 second's as screaming will acure.
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Offline mic
 Post subject: Re: mic vs. Pogo: Malkovich #25
Post #7 Posted: Sat Apr 24, 2010 10:24 am 
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KGS: mic
Pogo, since I'm on the train tomorrow I won't probably be able to make a move.

Click Here To Show Diagram Code
[go]$$Bc
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , X . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . O . . |
$$ | . . . O . . . . . , . . . . . , B . . |
$$ | . . . . . . . . . . . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]


I think I have a few possiblities here:

Click Here To Show Diagram Code
[go]$$Wc
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , X . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . b . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . O . . |
$$ | . . . O . . . . . , . . . d . , a . . |
$$ | . . . . . . . . . . . . . c . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]


a looks nice, because after
Click Here To Show Diagram Code
[go]$$Bc
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . a . . . . . . . . . . b . . . . |
$$ | . . . , . . . . . , . . . . . , X . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . S S . . |
$$ | . . . , . . . . . , . . . . . S S . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . 4 . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . 2 O . . |
$$ | . . . O . . . . . , . . . 3 . , 1 . . |
$$ | . . . . . . . . . . . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]

Black can take the last corner with a or b to take the upper right corner and prepare a move around :es:

I really don't like pincer moves like b because I'm feeling uncomfortable about my lonely stone :b1::. I should probably study such variations more...
Click Here To Show Diagram Code
[go]$$Bc
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , X . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . 1 . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . 2 . O . . |
$$ | . . . O . . . . . , . . . 3 . , . . . |
$$ | . . . . . . . . . . . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]


In my opinion, the difference between c and d is that d is a bit more agressive and pushes the white stones more. I hope, that after :w2:

Click Here To Show Diagram Code
[go]$$Bc
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , X . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . 2 . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . O . . |
$$ | . . . O . . . . . , . . . 1 . , . . . |
$$ | . . . . . . . . . . . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]

I can play in the last corner, even though it leaves the corner a bit more open.

In the end, my decision to play a was based on the assumption that I take the corner more severe...if white follows my thoughts :D and I will keep sente.

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Offline Dusk Eagle
 Post subject: Re: mic vs. Pogo: Malkovich #25
Post #8 Posted: Sat Apr 24, 2010 10:15 pm 
Gosei
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Liked others: 378
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Rank: 4d
Click Here To Show Diagram Code
[go]$$Bc
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . a . . . . . . . . . . b . . . . |
$$ | . . . , . . . . . , . . . . . , X . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . 4 . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . 2 O . . |
$$ | . . . O . . . . . , . . . 3 . , 1 . . |
$$ | . . . . . . . . . . . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]

:w4: would be overconcentrated. With a two stone wall, white must go one space farther.

In general, this kick - whether from a 3-4 or 4-4 - is bad unless white is already being pincered here.

Anyway, I'll unhide this comment at some point in the future so mic can learn from it.

_________________
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Each of us woke up one moment and here we were in the darkness.
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Offline POGO
 Post subject: Re: mic vs. Pogo: Malkovich #25
Post #9 Posted: Sun Apr 25, 2010 4:06 pm 
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Click Here To Show Diagram Code
[go]$$Bc
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . W , . . . . . , . . . . . , X . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . O . . |
$$ | . . . O . . . . . , . . . . . , X . . |
$$ | . . . . . . . . . . . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]


Trying something new here. sorry about not a long post about it but iron mans coming up

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Offline Sverre
 Post subject: Re: mic vs. Pogo: Malkovich #25
Post #10 Posted: Sun Apr 25, 2010 4:44 pm 
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POGO wrote:
Trying something new here. sorry about not a long post about it but iron mans coming up


Attachments should almost always be answered locally. Black Q5 next would be enormous. You should not just leave your threatened stones like this.
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Offline Dusk Eagle
 Post subject: Re: mic vs. Pogo: Malkovich #25
Post #11 Posted: Mon Apr 26, 2010 7:34 pm 
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Sverre wrote:
POGO wrote:
Trying something new here. sorry about not a long post about it but iron mans coming up


Attachments should almost always be answered locally. Black Q5 next would be enormous. You should not just leave your threatened stones like this.

Yes, urgent plays before big plays. Attachments (tsukes) are urgent almost every time they occur on a lone stone.

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Offline mic
 Post subject: Re: mic vs. Pogo: Malkovich #25
Post #12 Posted: Mon Apr 26, 2010 10:23 pm 
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Hello Pogo,

sorry for the delay!

Click Here To Show Diagram Code
[go]$$Wc
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . B . . . . . . . . . . . . . . |
$$ | . . O , . . . . . , . . . . . , X . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . O . . |
$$ | . . . O . . . . . , . . . . . , X . . |
$$ | . . . . . . . . . . . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]

I'm not very happy with this (obviously). I'll get out of this corner in gote and suddenly does the lower right corner look a bit ... bad, unefficient, clumsy?

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Offline xDragon
 Post subject: Re: mic vs. Pogo: Malkovich #25
Post #13 Posted: Mon Apr 26, 2010 10:35 pm 
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not for players

mic wrote:
I'm not very happy with this (obviously). I'll get out of this corner in gote and suddenly does the lower right corner look a bit ... bad, unefficient, clumsy?


dont see why hes so unhappy about this scenario. but given his comment about the lower corner means he doesnt know the followup most likely...

Click Here To Show Diagram Code
[go]$$Bc
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . 2 . . . . . . . . . . . . . . |
$$ | . . O , . . . . . , . . . . . , X . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . 3 , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . 1 O . . |
$$ | . . . O . . . . . , . . . . . , X . . |
$$ | . . . . . . . . . . . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]


i mean id be happy with this
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Offline Solomon
 Post subject: Re: mic vs. Pogo: Malkovich #25
Post #14 Posted: Mon Apr 26, 2010 10:37 pm 
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At first glance to some people, this move may look slow - but it is in fact very large. The White stone goes from an approach move to a zombie stone with a bit of aji in 1 move. Also, it makes Black's corner fully protected and solid like a rock.

However, I can understand why Black played the approach - 2 is also very large. In fact, I would dare say that 2 is just a bit larger than 1, not significantly.
Click Here To Show Diagram Code
[go]$$Bc
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . 2 . . . . |
$$ | . . O , . . . . . , . . . . . , X . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . 1 O . . |
$$ | . . . O . . . . . , . . . . . , X . . |
$$ | . . . . . . . . . . . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]
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Offline schultz
 Post subject: Re: mic vs. Pogo: Malkovich #25
Post #15 Posted: Wed Apr 28, 2010 2:40 am 
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Looking forward to following this game. Thanks to both of you for participating. :)

Dusk Eagle wrote:
Click Here To Show Diagram Code
[go]$$Bc
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . a . . . . . . . . . . b . . . . |
$$ | . . . , . . . . . , . . . . . , X . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . 4 . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . 2 O . . |
$$ | . . . O . . . . . , . . . 3 . , 1 . . |
$$ | . . . . . . . . . . . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]

:w4: would be overconcentrated. With a two stone wall, white must go one space farther.

In general, this kick - whether from a 3-4 or 4-4 - is bad unless white is already being pincered here.

Anyway, I'll unhide this comment at some point in the future so mic can learn from it.

So what is the better play in this situation, then? This is some thing I don't feel bad about playing, though my opening is very weak (some thing I've been trying to work on--and thus the question ;)).

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Offline topazg
 Post subject: Re: mic vs. Pogo: Malkovich #25
Post #16 Posted: Wed Apr 28, 2010 2:49 am 
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schultz wrote:
So what is the better play in this situation, then? This is some thing I don't feel bad about playing, though my opening is very weak (some thing I've been trying to work on--and thus the question ;)).


Loose rule of thumb is jump the number of stones in your wall + 1. So from 1 stone, a two point jump, 2 stones, a 3 point jump etc. The rule is designed primarily IIRC for 3rd line plays, but it's a useful guideline.

Frankly, I doubt the over concentration in shape is going to make any difference to a game at this level anyway :P
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Offline Numsgil
 Post subject: Re: mic vs. Pogo: Malkovich #25
Post #17 Posted: Wed Apr 28, 2010 11:04 am 
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schultz wrote:
Looking forward to following this game. Thanks to both of you for participating. :)

Dusk Eagle wrote:
Click Here To Show Diagram Code
[go]$$Bc
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . a . . . . . . . . . . b . . . . |
$$ | . . . , . . . . . , . . . . . , X . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . 4 . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . 2 O . . |
$$ | . . . O . . . . . , . . . 3 . , 1 . . |
$$ | . . . . . . . . . . . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]


:w4: would be overconcentrated. With a two stone wall, white must go one space farther.

In general, this kick - whether from a 3-4 or 4-4 - is bad unless white is already being pincered here.

Anyway, I'll unhide this comment at some point in the future so mic can learn from it.

So what is the better play in this situation, then? This is some thing I don't feel bad about playing, though my opening is very weak (some thing I've been trying to work on--and thus the question ;)).


Click Here To Show Diagram Code
[go]$$Bc
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , X . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . 1 . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . 2 . . . |
$$ | . . . . . . . . . . . . . . . . O . . |
$$ | . . . O . . . . . , . . . 3 . , . . . |
$$ | . . . . . . . . . 5 . . . . . X . 4 . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]


I believe this odd looking joseki is the preferred reaction. At least locally. My guess is that in a professional game you wouldn't see this joseki emerge just yet when there's still an open corner, though. Black has good influence on the right and has cramped white's star stone on the left, so I think black comes out ahead.

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Last edited by Numsgil on Wed Apr 28, 2010 11:26 am, edited 2 times in total.
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Offline mic
 Post subject: Re: mic vs. Pogo: Malkovich #25
Post #18 Posted: Wed Apr 28, 2010 11:16 am 
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Hi everybody,

just wanted to mention that I can now really understand wms's comment about being paranoid and curious what all the people post :)

- Mic

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Offline Chew Terr
 Post subject: Re: mic vs. Pogo: Malkovich #25
Post #19 Posted: Wed Apr 28, 2010 1:10 pm 
Gosei
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mic wrote:
just wanted to mention that I can now really understand wms's comment about being paranoid and curious what all the people post :)
- Mic


Heh, I feel your pain =)

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Offline POGO
 Post subject: Re: mic vs. Pogo: Malkovich #25
Post #20 Posted: Thu Apr 29, 2010 4:31 pm 
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sorry for the long reply (im on my psp) im currently on the road til tomarrow so i should be able to post my move then.

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