Before we start, I am using circled W and circled B to represent moves past 9 in variations.
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[go]$$c Setting the scene
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$$ | . . . . . . . . . b . . . . . . O . . |
$$ | . . . X . . . . . B W 8 6 4 2 , . . . |
$$ | . . . . . . . . . . 9 7 5 a 3 1 . . . |
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Black has played at 9, presumably because he does not like the forcing moves beginning with a that are usual in this joseki.
I wonder if White's last move (circled W) should have been at b, to stay ahead in the race.
However, my big question about this position is how far should White extend from her wall, if she wished to do so. In exploring this, I wonder if I have stumbled upon a strategic principle.
First, if White goes as far as possible from the wall:
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[go]$$c Maximum extension
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$$ | . . . . . . . . . . . . . . . . 2 . . |
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$$ | . . . . . . . . . O . . . . . . O . . |
$$ | . . . X . . . . 1 . . O O O O , . . . |
$$ | . . . . . . . . . . X X X a X X . . . |
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Then Black can invade and pincer like this:
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[go]$$c Maximum extension
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$$ | . . . O . . . . . , . . . 3 . X . 9 . |
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$$ | . . . . . . . . . . . . 8 . 2 6 O W . |
$$ | . . . . . . . . . . . . . . . 5 7 . . |
$$ | . . . . . . . . . . . . . B . . . . . |
$$ | . . . . . . . . . . . . . . . 1 . . . |
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$$ | . . . . . . . . . . . . . . . 4 . . . |
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$$ | . . . . . . . . . O . . . . . . O . . |
$$ | . . . X . . . . X . . O O O O , . . . |
$$ | . . . . . . . . . . X X X a X X . . . |
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And it is not clear to me that White is doing better - I have had positions like this where Black makes sabaki with his invading group and counter-attacks. In the meantime, Black has taken quite a few points on the bottom, so White would really like to make the wall accomplish something.
But, if White extends a little closer to the wall, Black can still invade and leave her without a clear plan:
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[go]$$c More conservative
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$$ | . . . O . . . . . , . . . . . X . . . |
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$$ | . . . . . . . . . . . . . . . 2 . . . |
$$ | . . . . . . . . . . . . . 6 . . 4 . . |
$$ | . . . , . . . . . , . . . . . 5 3 . . |
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$$ | . . . . . . . . . . . . . . . . 7 . . |
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$$ | . . . . . . . . . O . . . . . . O . . |
$$ | . . . X . . . . 1 . . O O O O , . . . |
$$ | . . . . . . . . . . X X X a X X . . . |
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If White, cuts off the path away from the wall, say by attaching at 4 or using an iron pillar, Black can still make a base, and will probably live, leaving White with a territorial problem.
If White extends too close, the she will be unhappy too:
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[go]$$c Black erases the thickness from afar
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$$ | . . . O . . . . . , . . . . . X . . . |
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$$ | . . . . . . . . . . . . . . . . 3 . . |
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$$ | . . . , . . . . . , . . . . . 2 . . . |
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$$ | . . . . . . . . . O . . . . . . O . . |
$$ | . . . X . . . . 1 . . O O O O , . . . |
$$ | . . . . . . . . . . X X X a X X . . . |
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So the only remaining option is to play like this:
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[go]$$c The "Base Limit" (?)
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$$ | . . . . . . . . . O . . . . . . O . . |
$$ | . . . X . . . . 1 . . O O O O , . . . |
$$ | . . . . . . . . . . X X X a X X . . . |
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$$ ---------------------------------------[/go]
And here is the thing I happened upon: this seems to be a kind of limit, because Black does not have space behind him to make a base if he invades:
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[go]$$c Black erases the thickness from afar
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$$ | . . . O . . . . . , . . . . . X . . . |
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$$ | . . . . . . . . . . . . . . . 2 4 . . |
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$$ | . . . . . . . . . . . . . . . . 3 . . |
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$$ | . . . . . . . . . . . . . . . . a . . |
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$$ | . . . . . . . . . O . . . . . . O . . |
$$ | . . . X . . . . 1 . . O O O O , . . . |
$$ | . . . . . . . . . . X X X a X X . . . |
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$$ ---------------------------------------[/go]
The point a is not enough - White can attack severely.
So, my idea is that this move, 2, is a kind of "base limit". If White goes past it, then Black can invade and make a base if White cuts off the escape away from the wall. If White plays up to it, then Black cannot get a base after White cuts off the escape route with a move such as 4.
Possibly my examples have been clumsily chosen and provided with dodgy tactics, but apart from receiving corrections to those faults, I would very much like to know if there is such a concept as a "base limit" for these situations - namely,
the point the where running away and making a base are no longer miai.NOTES
I think this is separate from the idea of playing where you have space on either side for a base (as in a wariuchi, for instance).
Also, I know that White
could extend on the third line, but then a shoulder hit would look far too inviting for Black.
Also, after publishing the first time, it occurred to me that White could play a high one-space approach...but, for now, it's the extension that I am most concerned with.
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Learn the "tea-stealing" tesuji! Cho Chikun demonstrates here: