I've noticed professionals playing the high chinese opening recently, and when white approaches the 3-4 from the outside black makes a low rather than high shimari as I would have expected.
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Does anyone know who started this and what the thinking behind it is? My thoughts are:
- compared to the high shimari it's not so easy to live at
a or do things in the corner like
b; more territorial.
- the black followup at
c from the high shimari is weaker shape now.
- the high Chinese stone ends up looking a little odd: you wouldn't play there if you made the shimari first, but also white's 4th line approach on the lower side would be a bit strange against a regular shimari opening.
- the high Chinese stone does mean the should hit reduction at
d is not so effective.
- a little more plausible for white to tenuki after the shimari as being lower is less good for a subsequent attack when black pincers, but still it's unlikely for white to tenuki at this point of the opening. But later it does mean that group has a little more breathing space if it gets cut off from the lower left corner.
Here's an example game by Iyama Yuta against Yamashita Keigo in the latest Kisei title match