Joaz Banbeck wrote:
Black looks good up through 38. With 39, 41, and 43 the direction of play seems too casual. By move 54, one gets the feeling that white has equalized on the board and is ahead by komi.
41: It is not clear to me what you get out of playing at J14. The strong white stone at G17 renders much of the top side uninteresting, so this stone doesn't do much northward. To the south, you are pushing from behind ( although from two spaces away ) so there seems little southward benefit. And you can connect underneath any time with C12 or make eye space with B13, so running is not urgent. White, OTOH, has to run to live, and so he gets to play very purposeful moves in between yours.
The sole virtue of 41 is that it continues in the direction that 39 set. So, maybe we could lay blame on move 39.
At 39, I might have tried F12. It pushes a weak white group toward your relatively strong D8 group. Black would love to be able to play F4 in sente.
Move 51 brings the issue into focus. If you were going to play a defensive move low on the right side in gote, what was the point of J14?
At move 39 white has just reinforced at g17 which prepares an attack on black's top left group. In order to understand white's threatened attack let's look at what happens if black tenukis (to j3 for example below). I expected white would attack by removing the b12 connection. The first way to do this is playing c13 which is a key shape point and stops black connecting, but then black has sente to run out. Due to g17 black can't push on the top to make shape, so if g15 white attacks the shape at g13 and black can't run with a 1 point jump or white cuts at the waist at
a. To avoid this bad shape black could run at g14 instead of g15.
- Click Here To Show Diagram Code
[go]$$cm39 Attack 1, prevent connection in gote
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$$ | . O O O . O O . . . . . . . X . X . . |
$$ | . X O X X . . . . , . . . . . . X O . |
$$ | . . X . . a 3 . 5 . . . . . . X O X . |
$$ | . . . X . . . . . . . . . . . . O X . |
$$ | . . 2 . . . 4 . . . . . . . . . O X . |
$$ | . . . O . . . . . . . . . . . . O . . |
$$ | . . . . O . . . . . . . . . . . . . . |
$$ | . . X , . . . . . , . . . . . , O . . |
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$$ | . . . X . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . O O . . |
$$ | . . X . . . . . . . . . . . . O X . . |
$$ | . . . , . . . . . , . . . . . , X . . |
$$ | . . O . O . . . 1 . . . . X . X . . . |
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$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]
The other way for white, and one which scared me rather more, was preventing the b12 connection
in sente with the c11 kick (if black doesn't extend white gets very powerful shape playing there) and then surrounding the group. Black can play c13 in this shape to make some eyespace, but I don't like getting surrounded like this:
- Click Here To Show Diagram Code
[go]$$cm39 Attack 2, prevent connection in sente then surround
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$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . O O O . O O . . . . . . . X . X . . |
$$ | . X O X X . . . . , . . . . . . X O . |
$$ | . . X . . . . . . . . . . . . X O X . |
$$ | . . . X . 4 . . . . . . . . . . O X . |
$$ | . . . . . . . . . . . . . . . . O X . |
$$ | . . . O . . . . . . . . . . . . O . . |
$$ | . . 2 . O . . . . . . . . . . . . . . |
$$ | . . X 3 . . . . . , . . . . . , O . . |
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$$ | . . . X . . . . . . . . . . . . . . . |
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$$ | . . . . . . . . . . . . . . . O O . . |
$$ | . . X . . . . . . . . . . . . O X . . |
$$ | . . . , . . . . . , . . . . . , X . . |
$$ | . . O . O . . . 1 . . . . X . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]
So I concluded that tenuki was not a good idea as white gains too much by attacking black, and therefore black should defend his group (which could also attack white's d12 group). The simplest way to do this is simply by connecting at b12, which is a big move itself in terms of yose as it connects two black groups and prevents white getting yose both sides. But I rejected this as too slow and expected white would tenuki. It also makes white's stones at d12 and e11 lighter as should black capture them b12 becomes a wasted move, just as an example in the following diagram I think white is better:
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[go]$$cm39 b12 slow
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$$ | . O O O . O O . . . . . . . X . X . . |
$$ | . X O X X . . . . , . . . . . . X O . |
$$ | . . X . . . . . . . . . . . . X O X . |
$$ | . . . X . . 3 . . . . . . . . . O X . |
$$ | . . . . . . . . . . . . . . . . O X . |
$$ | . 1 . O . . . . . . . . . . . . O . . |
$$ | . . . . O . 5 . . . . . . . . . . . . |
$$ | . . X . . 7 . . . , . . . . . , O . . |
$$ | . . . . . . 6 . . . . . . . . . . . . |
$$ | . . . X . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . 8 . . . . . . . . . O O . . |
$$ | . . X . . . . . . . . . 2 . . O X . . |
$$ | . . . , . . . . . , . . . . . , X . . |
$$ | . . O . O . . . . . . 4 . X . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]
Therefore I decided that rather than defending at b12 I should ask white if he wants to save the e11 group first and jump out myself, threatening the cap and capturing the white group without wasting a move at b12. White naturally jumps out too. It is true that black's jumps don't build much due to white's strength at g17, whereas white's jumps do develop the centre, but black's jumps do provide safety for black's group and mean he no longer fears white attacking his group as in the first two diagrams.
Ok, now to Joaz's suggestion of f12. One answer would be e13 and then black g15. I don't know what to expect next, both have bad shape. But for the sake of the argument let's imagine the below sequence which also feels fairly natural:
- Click Here To Show Diagram Code
[go]$$cm39 One possible f12 sequence
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$$ | . O O O . O O . . . . . . . X . X . . |
$$ | . X O X X . . . . , . . . . . . X O . |
$$ | . . X . . . . . . . . . . . . X O X . |
$$ | . . . X . . . . . . . . . . . . O X . |
$$ | . . . . . . . . . . . . . . . . O X . |
$$ | . . . O . 1 3 5 7 . 9 . . . . . O . . |
$$ | . . . . O 2 4 6 . . . . . . . . . . . |
$$ | . . X . . . . . . 8 . 0 . . . , O . . |
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$$ | . . . X . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . O O . . |
$$ | . . X . . . . . . . . . . . . O X . . |
$$ | . . . , . . . . . , . . . . . , X . . |
$$ | . . O . O . . . . . . . . X . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]
This is a fairly similar sequence to what happened in the game in that both players jump into the centre with white ahead of black and black ends with sente to play n6 if he so wishes. However, a big difference is rather than jumps both players have solid walls. However, I think with sequence is worse for black than the game as black's solid wall is facing the strong g17 so is not very useful, whereas white's solid wall is facing the centre which is useful. For one thing it means black loses the g9 shape attack possibility I had in the game. As another thing this wall being thick means the aji I used in the game to live with my central group would not be there so I would probably have died.
I found a pro game with the same shape to help me analyze this game. White is Sakatai Eio 9d, black is Rin Kaiho 9d from 1969, 6th Pro Best Ten Final, game 2, 1969-04-17, white won by 8.5. I rotated the board to align with my game. The left hand side of the board is identical (and the move order was the same), the right side is similar in that black has both corners and white has a group in a middle. They both jumped out, the same as in my game. So although the other side of the board does make a bit of a difference, I don't think my moves can be that bad.
- Click Here To Show Diagram Code
[go]$$cm29 Sakata vs Rin part 1
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$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . O O O . O O . . . . . . . . X . . . |
$$ | . X O X X . . . . , . . . . . , . . . |
$$ | . . X . . . . . . . . . . . . . X . . |
$$ | . . . X . . 1 . 3 . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O . . . . . . . . . . . . . . . |
$$ | . . . . O . . 2 . 4 . . . . . . O . . |
$$ | . . X . . . . . . . . . . . . , . . . |
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$$ | . . . X . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . O . . . |
$$ | . . . . . . . . . . . . . . . . O . . |
$$ | . . X . . . . . . . . . . . . O X . . |
$$ | . . . , . . . . . , . . . . . , X . . |
$$ | . . O . O . . . . . . . . X . X . . . |
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$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]
Next black played the rather funky jump to m13. My understanding of this move is it makes miai of the cap at m11 and surrounding territory on the top side at k17. One difference that should be noted from my game is that black's potential on the top side in this game is greater as black's shimari in the top right is facing along the top side and black has moves like r13 or q12 to expand the moyo, whereas in my game white had some influence in the r13 area which reduce black's potential on the top side. White doesn't help his centre group (Sakata is good at sabaki) so just takes profit at L16 which also stops black profiting at k17. He also ignores the m11 cap to profit at r13. Black decides he needs to make some profit for himself at n17 which also aims at the k17 cut.
- Click Here To Show Diagram Code
[go]$$cm33 Sakata vs Rin part 2
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$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . O O O . O O . 4 . . . 9 . . X . . . |
$$ | . X O X X . . 0 3 , 2 . . . . , . . . |
$$ | . . X . . . . . . . . . . . . . X . . |
$$ | . . . X . . X . X . . . . . . . . . . |
$$ | . . . . . . . . . . . 1 . . . . 6 . . |
$$ | . . . O . . . . . . . . . . . . . . . |
$$ | . . . . O . . O 8 O . 5 . . . . O . . |
$$ | . . X . . . . . 7 . . . . . . , . . . |
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$$ | . . . X . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . O . . . |
$$ | . . . . . . . . . . . . . . . . O . . |
$$ | . . X . . . . . . . . . . . . O X . . |
$$ | . . . , . . . . . , . . . . . , X . . |
$$ | . . O . O . . . . . . . . X . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]
White defends, which induces black to defend the thinness at L14. White then separates the black groups at b12 (defending by creating attacking possibilities and some eyespace on the side). Black then attacks at the shape point of g9 (which does support my view that this was a key shape point).
- Click Here To Show Diagram Code
[go]$$cm43 Sakata vs Rin part 3
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$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . O O O . O O 0 O . . . X . . X . . . |
$$ | . X O X X . 9 O X , O . . . . , . . . |
$$ | . . X . . . . 7 . . . . . . . . X . . |
$$ | . . . X . . X . X . 1 . . . . . . . . |
$$ | . . . . . . . . . . . X . . . . O . . |
$$ | . 2 . O . . . . . . . . . . . . . . . |
$$ | . . . . O . . O O O . X . . . . O . . |
$$ | . . X . . 6 4 . X . . . . . . , . . . |
$$ | . . . . . 5 3 8 . . . . . . . . . . . |
$$ | . . . X . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . O . . . |
$$ | . . . . . . . . . . . . . . . . O . . |
$$ | . . X . . . . . . . . . . . . O X . . |
$$ | . . . , . . . . . , . . . . . , X . . |
$$ | . . O . O . . . . . . . . X . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]
Sakata then tenukis
again from his central group to take profit at h3 (it must be so annoying to play him!) and black resumes the attack on the central group, which white then defends.
- Click Here To Show Diagram Code
[go]$$cm53 Sakata vs Rin part 3
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$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . O O O . O O O O . . . X . . X . . . |
$$ | . X O X X . X O X , O . . . . , . . . |
$$ | . . X . . . . X . . . . . . . . X . . |
$$ | . . . X . . X . X . X . . . . . . . . |
$$ | . . . . . . . . . . . X . . . . O . . |
$$ | . O . O . . . . . . . . . . . . . . . |
$$ | . . . . O . . O O O . X . . . . O . . |
$$ | . . X . . O O . X . . . . . . , . . . |
$$ | . . . . . X X O . . 3 . . . . . . . . |
$$ | . . . X . . . 6 . . . . . . . . . . . |
$$ | . . . . . . 1 4 . . . . . . . O . . . |
$$ | . . . . . . 7 5 8 0 . . . . . . O . . |
$$ | . . X . . . . . 9 . . . . . . O X . . |
$$ | . . . , . . . . . , . . . . . , X . . |
$$ | . . O . O . . 2 . . . . . X . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]
So in the end white's group survived and he took profit several times in the fight and he won the game by 8.5. So what lessons to learn from this game and what parallels to draw to my game? Were my jumps out bad? Maybe they were bad, Rin did lose afterall, but I don't think I mind too much if I make 9p mistakes !