Top attachment
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[go]$$Wcm16 Top attachment
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$$ | . . . . . . . . . . . . . O O . . . . |
$$ | . . . . . . . . . . . . X X X O O . . |
$$ | . . . O . . . . . , . . . . . X X . . |
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$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . 2 1 . . |
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$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . O . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O . . . . . , . . . . . , X . . |
$$ | . . . . . X . . . . . X . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]
We teach beginners not to attach to stones they are attacking, but once you see this top attachment, it looks very nice, doesn't it?

Top attachments against pincers and pincered stones are not unusual, but I think that the top attachment against a wedge is another AlphaGo innovation. It avoids the problems of a third line approach from either side. It also indicates the value of the center. The center is important, but not so important as to play a boshi.
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[go]$$Wcm16 Stretch
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$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . O O . . . . |
$$ | . . . . . . . . . . . . X X X O O . . |
$$ | . . . O . . . . . , . . . . . X X . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
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$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . b 3 . . |
$$ | . . . . . . . . . . . . . . . 2 1 . . |
$$ | . . . . . . . . . . . . . . . a c . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . O . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O . . . . . , . . . . . , X . . |
$$ | . . . . . X . . . . . X . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]
Neither hane-counterhane sequence looks good. Wa -

lets the Black wall work, either in a fight or with the

and

stones, and White does not have much room to develop on the bottom right. If Wb - Bc instead, Black gets good development of his moyo.

is solid, taking away Black's preferred hane.
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[go]$$Wcm16
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$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . 5 O O . . . . |
$$ | . . . . . . . . . . . 6 X X X O O . . |
$$ | . . . O . . . . . , . . . . . X X . . |
$$ | . . . . . . . . . . . . . . . . . . . |
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$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , 3 . . |
$$ | . . . . . . . . . . . . . . b 2 1 . . |
$$ | . . . . . . . . . . . . . . . . a . . |
$$ | . . . . . . . . . . . . . . . 4 . 7 . |
$$ | . . O . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O . . . . . , . . . . . , X . . |
$$ | . . . . . X . . . . . X . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]

is very nice, and shows the utility of

. If Black had played

first, White could have jumped to "b".

is perfectly placed.

relieves the pressure on the White corner with sente, and then White slides to

.

is not an AlphaGo style play, a human could easily have played it. It prevents a Black hane at "a", which is now senseless. It also, OC, gives the White stones some eye potential. But more important, I think, is that it offers potential for further White play in the bottom right. By contrast, an extension towards the Black wall does not have much potential development precisely because of the wall.
Large scale development
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[go]$$Bcm23 One space jump
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$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . O O O . . . . |
$$ | . . . . . . . . . . . X X X X O O . . |
$$ | . . . O . . . . . , . . . . . X X . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
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$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , O . . |
$$ | . . . . . . . . . . . . . . . X O . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . X . O . |
$$ | . . O . . . . . . . . . . . . . . . . |
$$ | . . . . . 1 . . . . . . . . . . . . . |
$$ | . . . O . . . . . , . . . . . , X . . |
$$ | . . . . . X . . . . . X . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]

is one of the oldest plays in go — against the large knight's enclosure. Against the small knight's enclosure it does not threaten the corner as much. But it is very much in the AlphaGo - Go Seigen style of rapid but thin development. Surely White has to play inside Black's huge sphere of influence, but where?
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[go]$$Bcm23 Deep invasion
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$$ | . . . . . . . . . . . . O O O . . . . |
$$ | . . . . . . . . . . . X X X X O O . . |
$$ | . . . O . . . . . , . . . . . X X . . |
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$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . 4 . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , O . . |
$$ | . . . . . . . . . . . . . . . X O . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . X . O . |
$$ | . . O . . . . . . . . . . . . . . . . |
$$ | . . . . . X . . . . . a . . . 3 . . . |
$$ | . . . O . . . . . , . . . . . , X . . |
$$ | . . . . . X . . . . . X . . 2 . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]

invades the bottom right. After

,

settles the White group on the right side. Note that White extends only one space to forestall any attack. Now

looks like a gift. And indeed, it dies later in the game, along with other stones White plays in the vicinity. But it has aji. It exemplifies the AlphaGo - Kitani style of salting the opponent's position with stones which often die, but which have aji.

Where does Black play now? "a" would surely kill

, but it is a single purpose play, and kind of small looking at that. Black has better plays.
- Click Here To Show Diagram Code
[go]$$Bcm23 Prelude to a fight
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$$ | . . . . . . . . . . . . O O O . . . . |
$$ | . . . . . . . . . . . X X X X O O . . |
$$ | . . . O . . . . . , . . . . . X X . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . O . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , O . . |
$$ | . . . . . . . . . . . . . . . X O . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . X . O . |
$$ | . . O . . . . . . . . . . . . . . . . |
$$ | . . . . . B . . . . . . . . . X . . . |
$$ | . . . O . . . . . , . . . . . , X . . |
$$ | . . 5 . . X . . . . . X . . W . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]
The invasion,

, surprised me. Surely in exchange for the corner White will go into Black's bottom left position, after which Black will have the difficult task of keeping White from utilizing the aji of

while at the same time making use of

. And indeed that is how the game developed. The fight is quite interesting, but any commentary is above my pay grade.

I'll leave that to the pros.
