Anzan

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flOvermind
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Re: Anzan

Post by flOvermind »

daal wrote:"the complement of 6 is 4, take away the 5 (from the ones column) and add a 1, 33."


That's way too complicated. The point of Anzan is that you shouldn't have to do this explicit calculation. What you should be thinking when adding 6 is: "move 1 and 5 up, carry 1".

There are basically 3 ways to add 6: "move 1 up, 5 down" (direct), "move 4 down, carry 1" (10-complement), "move 1 up, 5 up, carry 1" (5-complement). You shouldn't have to think about that (I know, that's easier said than done ;) ).
Which one should you use? The only one that works. E.g., when you don't have a 1 to move up, you move 4 down, carry 1.

daal wrote:Particularly, as in this example, I have trouble when I need to do something with the complement of 5, and surely repetitive practice will make me better, ...

The operations with 5-complement can be remembered with this little trick:
Add 5 == 5 up, carry one
Add 6 == 1 up, 5 up, carry one
Add 7 == 2 up, 5 up, carry one
Add 8 == 3 up, 5 up, carry one
Add 9 == 4 up, 5 up, carry one

You just move the amount "up" that you want to add, and carry one. The same trick works with subtraction, just move the amount "down".


daal wrote:"I go here, black has 4 liberties, white has 2, he goes here, we both have 3 liberties, etc."


I must confess that I have never tried that, but I think carrying that much extra information around would make it harder for me to actually remember the position of the stones. Usually, when I read, I just "see" that e.g. a move is atari. When I fail to see it (or wrongly see it), it is usually because I completely miss some stone, not because I can't count the liberties mentally.

The only exception to this is ladders and similar positions (e.g. lose ladders). I usually focus on a narrow area of the board when reading, and when one group goes beyond this area, I abstractly remember the status of this group (alive, one extra liberty, no extra liberty, lots of liberties, ...).

daal wrote:With both go and anzan, I find myself struggling to support my visual memory by verbalizing the actions of the stones and beads. Does everybody do this?


In Anzan, I just verbalize the digit I'm currently adding. For your example, that would be "one, seven, one, six, carry one". But, I haven't really solved my problem of forgetting the position in longer operations, three digits is pretty much the limit of what I'm able to do in my head. Probably I should practice on the Soroban a bit more, I still have to think too much for the individual operations, and thinking about the operations is the main obstacle to remembering the board ;)

With Go, I don't really verbalize much while reading, just the obligatory "tack, tack, tack, tack, dead" :P
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Re: Anzan

Post by Bill Spight »

John Fairbairn wrote:Now, reading a bit about anzan, I learned that they have discovered that expert practitioners use a completely different part of the brain - a visuospatial one - for anzan than the area (the lingusitic processing one) used for ordinary arithmetic.

It seems that this parallels other stuff I've read about experts in as diverse a range of skills as tennis, music and chess. I gather that these experts stimulate and develop a part of the brain that has nothing to with understanding what they are doing.


I don't think that we can draw that conclusion. Unless by understanding you mean the ability to verbalize what one knows.

Indeed, understanding can interfere strongly with what they are trying to achieve. Apparently this is the cause of choking in sport.


Shades of one mind and no mind in Zen. :)

Their goal is rather to develop automaticity and they do this by constant repetition of tasks imposed on them by a coach. Obviously they glean a vague idea of what they are doing and why (e.g. they understand what top spin looks like, or that control of the centre is usually good), but only in a superficial way. If greater understanding is required, for example to correct a fault, that's the coach's job, and he comes up with another set of repetitions. It seems to be well established that ten thousand hours is required for mastery by this method, in any discipline. But what struck me was that experts in anzan - a recent fad - were very unlikely to have spent that amount of time. It's not even a profession.


Very interesting. :)

And that brings me to my question, with the hope that the caffeine is working now. Whilst this is all very well for real experts, I think most of us would be satisfied with partial expertise, say 5-dan amateur, or 1-dan, or whatever, so: what is the best way for us to achieve that? Should we study and think, or should we just work out?


IMHO, we do not know the best go pedagogy for amateurs. It is an area that I would like to do research in. :) I doubt if we can simply transfer the traditional training methods for pros.

Before reading up about anzan, I was inclined to think that for us halfway housers study and thought were probably best. They would never make us real experts. We'd accept that x-dan amateur would be the upper limit anyone could achieve that way (and even then it would probably have included some repetition). But it looks like a less painful and more enjoyable process - buy a few books, maybe discuss them with friends or on L19, and if we get stuck, buy another book. The holy grail is always round the corner, in our world.

Now I'm wondering about the alternative way. If 10,000 hours would get me to 9-dan, and maybe 5,000 hours, to 1-dan pro, could I get to amateur x-dan with, say, 3,000 hours of playing over games and doing tsumego?

The answer's almost certainly yes, because the top experts in sport have had to go through these various stages themselves, and they are clearly already pretty good when they've done only a few thousand hours. But the big difference seems to be that they are already highly focused at that stage and are doing nothing but repetitions. They don't let trying to understand get in the way.


Part of go is very much like math. For instance, to solve a tsumego is to construct a proof. But skill at math is not a matter of repetition. Understanding matters. (Even if it cannot be readily verbalized.) My girlfriend tells about, when she was in grade school, to multiply 18 by 5, she multiplied 5 by 20 to get 100, then multiplied 5 by 2 to get 10, and subtracted to get 90. Now, that was real math. :) It showed understanding.

Unfortunately, she told the teacher what she was doing. The teacher, no mathematician, told her that she was doing it wrong. (!) Instead, she was supposed to go through the rote algorithm of multiplying 5 by 8, getting 40, writing down the 0, carrying the 4, then multiplying 5 by 1, getting 5, adding it to the 4 to get 9, and writing the 9 beside the 0 to get 90. (BTW, when I was learning arithmetic, nobody explained why that algorithm gets the right answer. ;)) Instead, our class

glean{ed} a vague idea of what they {were} doing and why . . . , but only in a superficial way.


Even for kids, arithmetic did not make sense. No wonder so many hated math or developed math anxiety. (Pavlov developed neuroses in dogs by giving them tasks that were beyond their ability.)

We less devoted souls, however, seem very prone to mixing up the methods. We might do a bit of repetition but then read a book for a change of pace. But is that actually harmful? Pure repetition can work. Pure study can work, although do a much more limited degree. But if we mix them, are we ending up with no, or reduced, benefits from either method?


Mixing methods is probably a good idea. :) Go requires a number of different skills, and it is unlikely that they can all be best developed in the same way. Besides, there is likely to be a positive interaction between methods, IMO.

To return to the analogy with math, there is a new approach to math pedagogy which seems to hold great promise, called JUMP. I have only just heard about it, and know very little, but a few things are familiar. One thing that JUMP does is to identify a number of math skills and to develop each of them. An example is, if a kid has trouble subtracting 7 from 5, to ask the kid, suppose that you were playing a betting game, and won $5 and then lost $7, would that be good or bad? JUMP does incorporate repetitive practice, but not of poorly or superficially understood concepts. Both repetition and understanding are required.

Perhaps the number of skills in go is fairly large, in the dozens. Certainly the number of concepts in quite large, as the size of go terminology indicates. I expect that a sufficiently detailed course of study could be devised that would take most players to amateur dan level within a year or two.

A couple of years ago I did a small study of elementary tsumego to try to identify some concepts of life and death. I made some headway, but not enough to write a book. I do think that a concept based approach to tsumego would be effective. :)
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Re: Anzan

Post by Mivo »

Actually, Bill, I meant to comment on the article that your Improvements page is based on. :) For those who haven't read it, Bill's page is at http://senseis.xmp.net/?BillSpight%2Fimprovement, and a working link for the article is http://www.duke.edu/~meb26/The%20Expert%20Mind.html.

For me, the biggest surprise was that the article seems to discourage playing as the primary source for improvement, though I'm a bit confused because in spite of the author stating this directly, the article makes several references to Capablanca's claims to not have actually studied chess and that he fluked out of university because he spent all his time playing chess. Is this a misunderstanding on my part?

There is also talk about "effortful effort", but I'm not clear what that actually is. The article mentions "proper training", but doesn't actually seem to state what "proper training" is. From the memory-related study results, it would seem that memorization without deeper understanding trumps "figuring out how to do it on your own". Imitation instead of understanding. I might agree with this, because it's much closer to how children and animals learn. It seems illogical to me that it should necessarily be different for just one species, and only for the adults of said species. :)

But how does this translate to Go? And did Capablanca really mean that he didn't "study the game"? What, then, did he do to become as strong as he was? No analysis of his own games or those of others? That would be study, in my opinion. If not, what does constitute study? For Go, if reading out variations is not the way to go, then what is? Do we memorize josekis, pro games do tsumego, then just play by feel (intuition)? Or does it simply mean we do all this and then just "prune" extremely well so that the actual reading that's needed *when playing* is minimal? (Differently put, do we read when we study, but less so when we play?)

And what does it mean for doing tsumego? That we try a little and then quickly look up the solution, committing it to memory without really having working it out on our own? This would probably be sufficient to improve at tsumego, but not easy to do, but how well would it translate to other aspects of the game? And if it doesn't, what's the "memorizing" way of improving at those? I will say that when doing tsumego, for me the main benefit is not necessarily that I learn to better read, but that I recognise pattern and shapes better and then don't have to read the next time I see the same position -- which may support the studies mentioned. Hmm, I was going to say that the initial reading is still required, but at a second thought, that's not necessarily true. It might be enough to "know" (have memorized) the vital points and to memorize the shape. Then again, memorizing something without understanding (or here: having it read/figured out at least once) is much harder. (Or is that only a matter of practice and the fact that we're used to "learning by understanding"? Is it possible to re-learn how we learn, even on such a fundamental level?)

As often with articles of this kind, I feel it offers very little practical, pragmatic value and leaves it to the reader to figure out what the "proper way" is. It does talk about tackling increasingly more difficult challenges, but it doesn't give examples for how to do it in the context of empathizing a stronger focus on memorization, repetition based way of learning rather than "working it out" -- how do you do tsumego, strategy study, etc. without "working it out", understanding it and thus "studying" in the way we understand "studying"?

I expect that a sufficiently detailed course of study could be devised that would take most players to amateur dan level within a year or two.


What is "sufficiently detailed"? That's much like the "proper study" in the article. ;) What, specifically, would such a course consist of? What would the a possible training program or study plan look like? How many hours a day? Would it be self-"study" or taught?
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Re: Anzan

Post by John Fairbairn »

I found the link to the Philip Ross very interesting, thank you. It seems to confirm most of what is said above where practice, practice, practice is the way to mastery in competitive activities or areas where quick decisions are required, and thinking/study/intelligence in the usual senses are largely irrelevant.

I came across a good example yesterday in the blanket pre-game coverage here of the Man Utd-Barcelona Cup Final. Sir Bobby Charlton was talking about home advantage (not in relation to this game). It's usually assumed that the home fans gee up the home team with their noise and passion. I'd always been a bit sceptical of that. Noise can inspire the away team just as much, and in the modern game the home-team players are rarely hometown boys, so they don't feel any special passion for the local city. Sir Bobby didn't put much store in the fans' contribution either. His explanation was that by playing at the same venue over and over again a player attunes himself to landmarks. In his day it was things like factory chimneys on the skyline. Today it's more likely to be things like the way a grandstand roof swoops down, he said. When running at high speed and being harassed by an opponent, seeing these landmarks in your peripheral vision enables you to know instantly where you are, he said, which translates into the ability to judge the direction or weight of a shot a pass or a cross more quickly and more finely than your opponents.

That sounds much more convincing to me. And what follows from it is that even if Lionel Messi went to Old Trafford and studied the skyline for hours, he would not be able to replicate that fine judgement in his first game. He too would need to practise, practise, practise in the same venue. In addition, any analysis or study he made of the skyline would be irrelevant even during that practice. It might even get in the way. If he is running down the wing and thinking "Am I opposite the glue factory yet?" those microseconds of delay will turn him into a duff player. He does not learn his orientation consciously. His brain takes over and does it for him.

That (and many other things) lead me to think that we are too easily misled by certain phrases. For example, in the Ross article there is a reference to experts relying on "structured knowledge". I certainly don't think Ross has been misled, but I do think a lot of readers could fall into the trap of thinking this means well organised and academic-style study/tuiton by ourselves leading both to understanding and to committing as many items as possible to memory: looking at the skyline, measuring the chimneys and memorising the location of the stacks, and adding "intelligent" insights such as "remember they may look different when smoke is coming out of them, or on a cloudy day". I think what it means is simply that during practice, practice, practice your brain takes over and does all this work for you. It structures the knowledge on the basis that (a) it includes only what you encounter and therefore need and (b) it includes each item exactly in proportion as you meet it. So, if your football ground is in an area of manufacturing decline, smoke will rarely come out of the stacks and so the "intelligent" insight is relegated to the dustbin automatically.

The point I still have difficulty with is the need for "effortful study". I echo Mivo on this. I think the important first step is to accept that study here does not mean reading books or going to classes. Mivo does this by rephrasing as "effortful effort". That's probably a useful trick. The next step is to focus on what is meant by "effortful". The Ross article (and others) seem to point to two different strands. One is motivation. If you are motivated and work hard, while there may be some inefficiencies on the way, you will probably make a lot of progress. The other strand, more directly related to "effortful" perhaps, is that you have to keep stretching yourself by attempting things you can't yet do. Settling for a certain level and then working hard but not stretching yourself apparently just leads to ticking over at the same old level.

It's easy to understand, I think, how a child with an uncluttered brain and uncluttered life can often do this much more easily than an adult. It's also easy to understand why busy adults chase the chimera of shortcuts.

I'm inclined to believe that for adults (and children) shortcuts just don't exist. The two factors of motivation and stretching oneself remain the twin pillars. Still, for a busy adult, even if they don't represent significant shortcuts would most of us benefit from books or teachers?

As with Messi and the skyline, reading a book and "understanding" something does not of itself have much value. However, the glow of satisfaction can motivate one to do some workouts. That's possibly where the real value comes. But it does not even have to be a technical book. An autobiography of a famous player, say, might lead you to want to emulate him. A coach with a whip probably works, too.

Likewise a book (even a biography) or a teacher can help with the stretching side, though you still need to find motivation to practise. I'm sure that having a book or a teacher or a coach point out a weakness is valuable and sometimes crucial. Nevertheless, I'm not too sure that it's required very often. I think, in go, the old and oft ignored advice to play over 1,000 pro games is more often valuable in stimulating stretching. At least I find, when looking at games (I don't study but I look at an awful lot of games when putting them in the database), I very often, say things like "Gulp, I didn't know you could that" or "Wow, must try that in my next game!" I think that probably constitutes stretching. This is of course self-teaching without book or teacher.

I am not, however, saying you can dispense with either. There are several sports, for example, in which you are required to start with a stance with your feet a shoulders' width apart. Apart from those who are already sporty and have already got over this initial hump, it seems that almost invariably a beginner has a self image of himself, even if fat, where he thinks he is quite slim, with the result that he takes up a stance with feet far too close together, and as a result he has wooden movements. My experience is that the self-image is so important that you need a coach (or a friend, or a book at a pinch) to tell such beginners that the feet need to be moved further part and angled just so. That alone is often enough to create vast improvement and some coaches leave it there. He may, however, for psychological reasons, choose also to point out that a wider and properly angled stance leads to flexion of the knees, a lower centre of gravity and more stability and fluidity. That "insight" may thrill the student but its only real relevance is if it motivates him to practise, practise, practise, in his new stance.

I'm not sure what the equivalent of that is in go. Or even if there is one. There are very many stories of future pros learning to play by watching adults play. I have always dismissed that as folklore. But maybe it's true. Maybe the unconscious brain works at that level, too. And look at the example of the young Go Seigen. It's easy to say, "But he was a prodigy", though writers like Ross often make the point that we tend to confuse precocity with talent and overlook the thousand of hours put in. Go put in more hours than his brothers and became stronger than them. Yet they also put in many hours and became reasonably strong (Wu Huan would be about 7-dan or 8-dan amateur now). None of them had a teacher of any note. Go's father was only about 2-dan amateur and at times seemed more concerned with keeping the right to the white stones than teaching his children go (he was much more concerned with teaching them the Confucian classics). Go did have books (or magazines) but as they were mostly in Japanese he couldn't read them. He just did his repetitive drill of playing over game after game - probably many more than 1,000. He had no outside teacher. Even when he went to Japan to live with Segoe, he had no tuition from him. So there we have an example of a player reaching the top with no study books and no coach. While an extreme case, my impression is that this is still close to the norm for pros.

But even if you accept that just playing over games or problems is mostly sufficient to provide stretching or "effortful effort", what is usually lacking in accounts of pros is what motivated them. They seem rarely to have been motivated by books or people or hunger. As far as I can tell, most often it's just a fascination with the patterns on the board.
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Re: Anzan

Post by Bill Spight »

Mivo wrote:Actually, Bill, I meant to comment on the article that your Improvements page is based on. :) For those who haven't read it, Bill's page is at http://senseis.xmp.net/?BillSpight%2Fimprovement, and a working link for the article is http://www.duke.edu/~meb26/The%20Expert%20Mind.html.

For me, the biggest surprise was that the article seems to discourage playing as the primary source for improvement, though I'm a bit confused because in spite of the author stating this directly, the article makes several references to Capablanca's claims to not have actually studied chess and that he fluked out of university because he spent all his time playing chess. Is this a misunderstanding on my part?


If playing were the way to improve, we should all be pros. :)

Capablanca's never studying chess reminds me of statements by two other greats. Bridge champion Boris Shapiro said that he had never read a bridge book. (And another great: my grandmother. ;) When she was in her early twenties, a friend recruited her to play as her partner in a local auction bridge tournament, and taught her to play the afternoon before the tournament. They won. My grandmother never took up bridge. Too easy, she said. ;)) The other great is Mozart. One of his aristocratic composition students chafed at the idea of writing short compositions only several bars long. He protested that Mozart had written his first symphony at age six. Yes, replied Mozart, but nobody had to show me how to do it.

I know that there is the advice to play your first 100 games quickly. And, to be sure, you can learn a lot in the beginning just by playing. But in this era of online play, I think that it is not such good advice. The reason is that most of those games will be against other weak players, and you will start to develop bad habits. Bad habits are rarely fully overcome. They can emerge under stress.

Take the snapback. It is possible to learn it on your own during your first 100 games, but my guess is that most people don't. Suppose that it occurs 40 times during those games, and neither players sees it. Instead of making a throw-in, they simply atari. Later you learn about the snapback, but when you encounter a snapback position in a game, what is your first impulse going to be (even if unconsciously)? The atari. It may take you a fraction of a second to overcome that impulse, but it will still be there. OTOH, suppose that in your early games you play against a 7 kyu, and a snapback position occurs. She will either play it herself, or show it to you after the game. Before you have a chance to develop a bad habit. :)

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Re: Anzan

Post by Bill Spight »

Just a quick note on "effortful effort". That rang a bell, though I am sure that there are subtleties of which I am unaware. :)

There is what is now fairly ancient research that indicates that the best challenges for learning are those at which you can succeed about half the time. Such challenges help motivation as well as being efficient from an information theoretic point of view. In terms of play, go handicaps provide such challenges, since they are adjusted so that the win rate is about 50-50. In terms of study or practicing problems, finding the sweet spot is not so obvious. For instance, how long do you spend on a problem? But the point is that there is an optimal region of effort that is not too hard and not too easy. Finding out where it is probably requires trial and error.
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Re: Anzan

Post by John Fairbairn »

My brain scrambled the references to links above. I have since looked at Bill's page and it seems he was the author of "effortful effort" rather than Mivo. And of much else on a stimulating page.
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Re: Anzan

Post by Bill Spight »

John Fairbairn wrote:My brain scrambled the references to links above. I have since looked at Bill's page and it seems he was the author of "effortful effort" rather than Mivo. And of much else on a stimulating page.


The Duke paper actually mentions "effortful study". "Effortful effort" is Mivo's phrase, which I like better. :) It brings to mind "effortless effort."
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Re: Anzan

Post by John Fairbairn »

Double scrambled eggs! Yes, the phrase in SL was effortless effort. Kudos back to Mivo. I still like the phrase.
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Re: Anzan

Post by Bill Spight »

Let me try to show what I mean by a sufficiently detailed course (with an eye to effortful study). Bear in mind that I am guessing here about what might be effective. :)

In terms of training, non-problem books have a problem, it seems to me, with effortful study, because they have diagrams with variations. Not that they should not have such diagrams, but it can be too easy just to read through the variations without the optimal amount of effort. So here is my guess about how diagrams might be used in a book to induce effort on the part of the reader. (GoGOD's GoScorer software is good in this regard, when studying pro games. Go ebooks may be an improvement, as well. :)) BTW, Mr. K's web site ( http://mrkigo.sakura.ne.jp/ksikatuindex.html ) has an excellent introduction to life and death, because he is so thorough.

Here is a set of diagrams aimed at novices in life and death. Life in go is not a simple concept, as the discussions on SL indicate. Here I try to get across a prototypical concept. (The text is not as complete as what would be in a book. :))


Click Here To Show Diagram Code
[go]$$ Dead or alive?
$$ -------------------
$$ | . O . O X O O . O |
$$ | O O O O X O O O O |
$$ | X X X X X X X X X |
$$ | . . . , . . . . . |[/go]


In all these diagrams we assume that the Black stones surrounding the White groups are alive and cannot be captured. One of the two White groups in this diagram is alive, and one is dead. Which is which? Why do you think so?


Click Here To Show Diagram Code
[go]$$B Capture
$$ -------------------
$$ | . O . O X O O 1 O |
$$ | O O O O X O O O O |
$$ | X X X X X X X X X |
$$ | . . . , . . . . . |[/go]


:b1: can capture the White group on the right. Do you see why Black cannot capture the group on the left?

Click Here To Show Diagram Code
[go]$$ Dead or alive?
$$ -------------------
$$ | . . O O X O O X . |
$$ | O O O O X O O O O |
$$ | X X X X X X X X X |
$$ | . . . , . . . . . |[/go]


In this diagram the Black stone in the corner can be captured. What is the status of each White group? Alive or dead? Or does it depend on who has the move?

Click Here To Show Diagram Code
[go]$$ Dead or alive?
$$ -------------------
$$ | X X . O X O . X . |
$$ | O O O O X O O O O |
$$ | X X X X X X X X X |
$$ | . . . , . . . . . |[/go]


How about these groups?

Click Here To Show Diagram Code
[go]$$ Dead or alive?
$$ -------------------
$$ | . . . O X X . O . |
$$ | O O O O X O O O O |
$$ | X X X X X X X X X |
$$ | . . . , . . . . . |[/go]


How about these?

----

Over the board, I might set up a position and ask the student to kill or capture the White group. During play, positions such as these would arise. By asking status questions, I am implicitly asking for vicarious play, which is the basis of life and death. But I show only one variation, relying upon the imagination and effort of the reader instead of showing others. (Whether this is a good idea or not is another question. ;))
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Re: Anzan

Post by Mivo »

Ha. "Effortful effort" was a product of my subconscious. ;) I laid awake for quite some time after reading "The Expert Mind" article and pondered the theories as well as the discussion on Bill's SL page. When I woke up, I wrote my post here -- and somehow, "effortful effort" snuck in, in place of "effortful study". When I realised it, only after John's response, I started to quite like it because it expressed what I had in mind much better than the phrase used by the author.

I'm going to give this a whirl, using myself as a test subject. I'll device a study plan for myself and stick to it for three or six months, documenting my observations casually. The study plan will rest on three pillars: tsumego (both the "reading it out" and the overlearning-based "spot the vital point"), playing over pro games (using actual or virtual stones, not just browsing through the game record), playing (few) serious games with computer/database-aided self-analysis with a focus on spotting insufficiencies.

This should cover reading, intuition (tsumego in blocks of 20 and 50), influx of new ideas (replaying pro games), practice and critical analysis necessary for ironing out repeat issues. I had considered including joseki memorization, but I think this area is sort of covered by replaying pro games and analyzing one's own games, plus I don't want this to become a full time job. :) I'll report my findings in half a year, should I actually manage to follow through with it!
Bill Spight
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Re: Anzan

Post by Bill Spight »

Mivo wrote:Ha. "Effortful effort" was a product of my subconscious. ;) I laid awake for quite some time after reading "The Expert Mind" article and pondered the theories as well as the discussion on Bill's SL page. When I woke up, I wrote my post here -- and somehow, "effortful effort" snuck in, in place of "effortful study". When I realised it, only after John's response, I started to quite like it because it expressed what I had in mind much better than the phrase used by the author.

I'm going to give this a whirl, using myself as a test subject. I'll device a study plan for myself and stick to it for three or six months, documenting my observations casually. The study plan will rest on three pillars: tsumego (both the "reading it out" and the overlearning-based "spot the vital point"), playing over pro games (using actual or virtual stones, not just browsing through the game record), playing (few) serious games with computer/database-aided self-analysis with a focus on spotting insufficiencies.

This should cover reading, intuition (tsumego in blocks of 20 and 50), influx of new ideas (replaying pro games), practice and critical analysis necessary for ironing out repeat issues. I had considered including joseki memorization, but I think this area is sort of covered by replaying pro games and analyzing one's own games, plus I don't want this to become a full time job. :) I'll report my findings in half a year, should I actually manage to follow through with it!


Great idea! And good luck. :)

May I encourage you to start a thread here and report once a month or so? For four reasons:

1) Your own motivation. Making intermediate reports gives you regular, achievable goals.

2) Feedback and encouragement from your readers here. (Obviously related to reason #1.)

3) Writing a report is also a learning experience. (Putting out a go newsletter helped me a lot when I was a 3 dan and had no opponent at my level. :))

4) We can learn something from your reports, too. :)
The Adkins Principle:
At some point, doesn't thinking have to go on?
— Winona Adkins

Visualize whirled peas.

Everything with love. Stay safe.
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