I have used this title for a special reason. But first try a couple of problems:
(1) Identify the weak groups
(;AB[qm][pd][nd][qq][qp][fm][mn][mp][fk][gl][ho][em][dm][cm][cn][co][fr][er][fq]
[gp][hp]AW[jm][dd][dk][cl][dh][qf][oj][qk][ol][on][op][dn][en][fn][dp][cp][eq][fp]
[go][gm][hm]SZ[19]
)
(2) Identify which groups are not yet alive
(;AB[qm][pd][nd][qq][qp][fm][mn][mp][fk][gl][ho][em][dm][cm][cn][co][fr][er][fq]
[gp][hp]AW[jm][dd][dk][cl][dh][qf][oj][qk][ol][on][op][dn][en][fn][dp][cp][eq][fp]
[go][gm][hm]SZ[19]
)
I am referring here to "All About Sonoda's Proverbs", a Japanese book I praised highly here recently. It continues to astound me.
This position comes from his book. Most of the book is concerned with evaluating positions at this sort of stage in the game, and he discusses each by beginning with a phase of "sorting out the conditions" (i.e. identifying the main factors - it means conditions in the sense of prerequisites rather than the ambience). Typically he lists 3, 4 or 5 "conditions" and then shows how these determine the area to play, and then how the move to play (more than one may be possible) follows from that. Often he also shows how moves that look good are inferior because they don't take account of the "conditions".
He will then move on a couple or so moves and repeat the exercise, so we can see how the "conditions" change - I find this perhaps the most fascinating part.
Sorting out the conditions does not follow a strict algorithm, but certain themes constantly appear, and the format is consistent. Just to give a flavour, the position above has the following "conditions":
(1) Areas not alive: White in the lower left, White on the left side, the Black group from the left side to the centre, Black in the upper right
(2) Areas with many stones: Centre-facing by Black and White (this is explained by some hatching on the diagram which I can't reproduce)
(3) Power relationship between Black and White in the centre: roughly equal.
I don't want to discuss the actual moves, but just to avoid too much frustration, the best next move for Black is the knight's move to J9. That move takes account of the conditions. The tempting looking move F17 is inferior because it has no connection with the conditions.
The bit I want to focus on is not in Sonoda's book. It is 'weak groups'. This is one of the most widely heard go terms in English, and a typical conversation might be that the one or both of the White groups on the left is not weak because they are chasing a weak Black group. But the direct equivalent of 'weak group' is rather rare in Japanese. The pros are much more nuanced. Some of the nuances exist in English: a group can be 'thin' or 'heavy' for example. But we still revert and say thin groups or heavy groups are 'weak'. Actually a thin group can be alive but thin because it has straggly bits than can be cut off, but that's a bit abnormal, and I'd say the commonest word in Japanese is not weak (yowai) but thin (usui). But thinness applies mostly to the middle game and it's often the opening we want to evaluate.
Sonoda's solution is to talk about whether a group is alive or not (with shades such as 'not clearly alive'). I don't think he ever uses the word 'weak'(yowai) at all - it's certainly rare. That has astonishing implications. 'Weak' is a trigger word for 'attack'. 'Not alive' is a trigger word for ... what? It encourages thought, diversity. It also focuses the mind on what (and thus where)is important. Look at the top right. You can never say Black is weak up there - he even has a majority of stones. But he is not alive (the 3-3 point is the linchpin).
I think every single evaluation (maybe a few hundred?) begins with an assessment of which groups are alive or not. Sonoda obviously thinks that is the first factor to consider. Although, in this case, J9 is called for, and that can be seen as acting mainly on part (3) of the assessment, the identification of (3) as a factor in an area concerned with a running fight (seriba) stems from factor (1).
This is typical of Sonoda's approach, but let me stress again that he gives considerably more detail.
My goal was to focus attention on the
words he uses - hence "Talking Points".