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Re: Malkovich #23 - dfan vs Loons

Posted: Sat Apr 24, 2010 5:47 pm
by dfan
Click Here To Show Diagram Code
[go]$$Bc Move 10
$$ +---------------------------------------+
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O . . . . . . . . . . . . . . . |
$$ | . . W X . X . . . , . . . . . X . . . |
$$ | . . O X . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , O . . |
$$ | . . . X . . . . . . . . . . O . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ +---------------------------------------+[/go]

Safe for Loons
Only move.

Re: Malkovich #23 - dfan vs Loons

Posted: Sat Apr 24, 2010 5:48 pm
by dfan
I bet you were able to successfully predict that move :D

Re: Malkovich #23 - dfan vs Loons

Posted: Sat Apr 24, 2010 6:06 pm
by Loons
dfan wrote:I bet you were able to successfully predict that move :D


Oh no, how did I overlook this ?!

I look forward to how our reading coincides.

Click Here To Show Diagram Code
[go]$$Bc Move 11
$$ +---------------------------------------+
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O B . . . . . . . . . . . . . . |
$$ | . . O X . X . . . , . . . . . X . . . |
$$ | . . O X . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , O . . |
$$ | . . . X . . . . . . . . . . O . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ +---------------------------------------+[/go]


Safe for Dfan
Oh, something I think I failed to convey before; I am expecting him to take c14 and allow me to capture at the top. The group I get out of this is way better than the one he does, I believe.

Re: Malkovich #23 - dfan vs Loons

Posted: Sat Apr 24, 2010 6:24 pm
by dfan
OK, I'm going to stop and actually think about this.

I've marked a couple earlier posts safe to read as well, and I'll continue to do that throughout the game.

Re: Malkovich #23 - dfan vs Loons

Posted: Sat Apr 24, 2010 9:01 pm
by Kirby
Loons wrote:Ok, here we go. Also, I'm going to go back and start marking comments as safe for you to read as they lose relevance.
Click Here To Show Diagram Code
[go]$$Bc Move 9
$$ +---------------------------------------+
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O . . . . . . . . . . . . . . . |
$$ | . . . B . X . . . , . . . . . X . . . |
$$ | . . O X . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , O . . |
$$ | . . . X . . . . . . . . . . O . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ +---------------------------------------+[/go]



In this situation, I might prefer playing here directly as black:
Click Here To Show Diagram Code
[go]$$Bc Move 9
$$ +---------------------------------------+
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . O . . . . . . . . . . . . . . . |
$$ | . . . . . X . . . , . . . . . X . . . |
$$ | . . O X . . . . . . . . . . . . . . . |
$$ | . . B . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , O . . |
$$ | . . . X . . . . . . . . . . O . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ +---------------------------------------+[/go]


The reason I like F16 in the first place is to create influence that works with the bottom left star point. My opinion is that playing directly as above achieves this more efficiently.

Re: Malkovich #23 - dfan vs Loons

Posted: Sun Apr 25, 2010 7:49 am
by dfan
Click Here To Show Diagram Code
[go]$$Wc Move 12
$$ +---------------------------------------+
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . W O X . . . . . . . . . . . . . . |
$$ | . . O X . X . . . , . . . . . X . . . |
$$ | . . O X . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , O . . |
$$ | . . . X . . . . . . . . . . O . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ +---------------------------------------+[/go]

This is the first decision I am unhappy about having to make.

Here are the moves I considered:

Click Here To Show Diagram Code
[go]$$Wc
$$ +---------------------------------------+
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . c b . . . . . . . . . . . . . . . |
$$ | . . d O X . . . . . . . . . . . . . . |
$$ | . . O X . X . . . , . . . . . X . . . |
$$ | . . O X . . . . . . . . . . . . . . . |
$$ | . . . a . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , O . . |
$$ | . . . X . . . . . . . . . . O . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ +---------------------------------------+[/go]

First of all, my original thought of a is obviously silly:

Click Here To Show Diagram Code
[go]$$Wc
$$ +---------------
$$ | . . . . . . .
$$ | . . 4 3 . . .
$$ | . a 2 O X . .
$$ | . . O X . X .
$$ | . . O X . . .
$$ | . . . 1 . . .
$$ | . . . . . . .[/go]

( :b4: could probably even be at a.) Nor did I like the idea of sacrificing that stone with a or something; I'm left too thin. So never mind that.

b leaves me kind of thin if Black hanes my two stones. Sample variation:

Click Here To Show Diagram Code
[go]$$Wc
$$ +---------------
$$ | . . . . . . .
$$ | . . . 1 . . .
$$ | . 0 8 O X . .
$$ | . 9 O X . X .
$$ | . 6 O X . . .
$$ | . 3 2 7 . . .
$$ | . 4 5 . . . .
$$ | . . . . . . .[/go]

and Black takes the corner.

c felt funny to me - it doesn't really threaten expanding into the top, and if Black ataris I have to answer and he can just leave it.

Click Here To Show Diagram Code
[go]$$Wc
$$ +--------------
$$ | . . . . . . .
$$ | . . 1 2 . . .
$$ | . . 3 O X . .
$$ | . . O X . X .
$$ | . . O X . . .
$$ | . 5 4 a . . .
$$ | . 7 6 . . . .
$$ | . . 8 . . . .
$$ | . . . . . . .[/go]

(I tried cutting at a instead of :w5: but I didn't like the looks of it.)

So then I thought, maybe I'll play :w3: right away. If he plays :b2: I'll probably ignore it and play at a instead.

Here's what I would be delighted to see but probably won't:

Click Here To Show Diagram Code
[go]$$Wc
$$ +--------------
$$ | . . . . . . .
$$ | . . . . . . .
$$ | . . 1 O X . .
$$ | . . O X . X .
$$ | . . O X . . .
$$ | . . . 2 . . .
$$ | . . 3 4 . . .
$$ | . . 5 . . . .
$$ | . . . . . . .[/go]

and here's what I expect:

Click Here To Show Diagram Code
[go]$$Wc
$$ +---------------------------------------+
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . 1 O X . . . . . a . . . . . . . . |
$$ | . . O X . X . . . , . . . . . X . . . |
$$ | . . O X . . . . . . . . . . . . . . . |
$$ | . 3 2 . . . . . . . . . . . . . . . . |
$$ | . 5 4 . . . . . . . . . . . . . . . . |
$$ | . b 6 . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , O . . |
$$ | . . . X . . . . . . . . . . O . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ +---------------------------------------+[/go]

and now I get to play at a (leaving room for a 2-space extension in either direction) before Black extends from his wall. He can play a really valuable turn at b but the left is still very open.

Re: Malkovich #23 - dfan vs Loons

Posted: Sun Apr 25, 2010 8:40 am
by Loons
Hmmm, one last move before bed.

Click Here To Show Diagram Code
[go]$$Wc Move 13
$$ +---------------------------------------+
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . O O X . . . . . . . . . . . . . . |
$$ | . . O X . X . . . , . . . . . X . . . |
$$ | . . O X . . . . . . . . . . . . . . . |
$$ | . . B . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , O . . |
$$ | . . . X . . . . . . . . . . O . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ +---------------------------------------+[/go]

Re: Malkovich #23 - dfan vs Loons

Posted: Sun Apr 25, 2010 9:13 am
by dfan
Click Here To Show Diagram Code
[go]$$Wc Move 14
$$ +---------------------------------------+
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . O O X . . . . . . . . . . . . . . |
$$ | . . O X . X . . . , . . . . . X . . . |
$$ | . . O X . . . . . . . . . . . . . . . |
$$ | . W X . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , O . . |
$$ | . . . X . . . . . . . . . . O . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ +---------------------------------------+[/go]

Safe for Loons
As expected. I looked a little more at cutting, but I can't make it work.

Re: Malkovich #23 - dfan vs Loons

Posted: Mon Apr 26, 2010 2:33 pm
by Loons
Click Here To Show Diagram Code
[go]$$Wc Move 15
$$ +---------------------------------------+
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . O O X . . . . . . . . . . . . . . |
$$ | . . O X . X . . . , . . . . . X . . . |
$$ | . . O X . . . . . . . . . . . . . . . |
$$ | . O X . . . . . . . . . . . . . . . . |
$$ | . . B . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , O . . |
$$ | . . . X . . . . . . . . . . O . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ +---------------------------------------+[/go]

I feel like running along the second line is good here... He will get sente out of this but my position becomes more powerful.
Click Here To Show Diagram Code
[go]$$Bc How this normally goes
$$ +---------------------------------------+
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . O O X . . . . . . . . d . . . . . |
$$ | . . O X . X . . . , . . . . . X . . . |
$$ | . . O X . . . . . . . . . . . . . . . |
$$ | . O X . . . . . . . . . . . . . c . . |
$$ | . 2 1 . . . . . . . . . . . . . . . . |
$$ | . . 3 . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , b . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . a . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , O . . |
$$ | . . . X . . . . . . . . . . O . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ +---------------------------------------+[/go]
Sure, I've marked every part of the board :P. Lets think, if I am him... The framework at b is certainly too gote for him... D will be pincered and yield a good result for black... So he ought to play either c or a approach. C works more harmoniously with his shimari, I feel, so I am going to think about that a bit.

Click Here To Show Diagram Code
[go]$$Wc The future
$$ +---------------------------------------+
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . O O X . . . . 6 . a a . . . 4 . . |
$$ | . . O X . X . . . , . . . 2 . X . 3 . |
$$ | . . O X . . . . . . . . . . . . . . . |
$$ | . O X . . . . . . . . . . . . . 1 . . |
$$ | . O X . . . . . . . . . . . . . . . . |
$$ | . . X . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . 5 . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , O . . |
$$ | . . . X . . . . . . . . . . O . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ +---------------------------------------+[/go]
And my goal is for black to invade the weakness at A, where I will then try and develop from 6 and live with the corner. Because this common joseki result seems good for black in this case, I think he may omit 3, and possibly approach my other corner. He may play at a with 3 directly - but this is a fighting variation in the realms of black's thickness...

So, I am happy playing this gote.

Re: Malkovich #23 - dfan vs Loons

Posted: Mon Apr 26, 2010 3:42 pm
by dfan
Click Here To Show Diagram Code
[go]$$Wc Move 16
$$ +---------------------------------------+
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . O O X . . . . . . . . . . . . . . |
$$ | . . O X . X . . . , . . . . . X . . . |
$$ | . . O X . . . . . . . . . . . . . . . |
$$ | . O X . . . . . . . . . . . . . . . . |
$$ | . W X . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , O . . |
$$ | . . . X . . . . . . . . . . O . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ +---------------------------------------+[/go]

Safe for Loons
One more before I turn away, and as previously mentioned I envision the following continuation:

Click Here To Show Diagram Code
[go]$$Wc Move 16
$$ +---------------------------------------+
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . O O X . . . . . 3 . . . . . . . . |
$$ | . . O X . X . . . , . . . . . X . . . |
$$ | . . O X . . . . . . . . . . . . . . . |
$$ | . O X . . . . . . . . . . . . . . . . |
$$ | . 1 X . . . . . . . . . . . . . . . . |
$$ | . . 2 . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , O . . |
$$ | . . . X . . . . . . . . . . O . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ +---------------------------------------+[/go]

I'm paranoid that Black will tenuki, but responding should be urgent enough that "urgent before big" applies, and I would get compensation in the form of reducing the effectiveness of his wall a lot. Still, I am hoping he responds.

Re: Malkovich #23 - dfan vs Loons

Posted: Mon Apr 26, 2010 3:47 pm
by Chew Terr
For observers only
Click Here To Show Diagram Code
[go]$$Wc Move 16
$$ +---------------------------------------+
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . O O X . . . . . 2 . . . . . . . . |
$$ | . . O X . X . . . , . . . . . X . . . |
$$ | . . O X . . . . . . . . . . . . . . . |
$$ | . O X . . . . . . . . . . . . . . . . |
$$ | . 1 X a . . . . . . . . . . . . . . . |
$$ | . 7 3 4 . . . . . . . . . . . . . . . |
$$ | . . 6 5 . . . . . . . . . . . . . . . |
$$ | . . b , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , O . . |
$$ | . . . X . . . . . . . . . . O . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ +---------------------------------------+[/go]

It seems really painful for black to tenuki. a and b become miai, unless I'm missing an even better sequence.

Re: Malkovich #23 - dfan vs Loons

Posted: Mon Apr 26, 2010 4:00 pm
by Loons
Click Here To Show Diagram Code
[go]$$Wc Move 17
$$ +---------------------------------------+
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . O O X . . . . . . . . . . . . . . |
$$ | . . O X . X . . . , . . . . . X . . . |
$$ | . . O X . . . . . . . . . . . . . . . |
$$ | . O X . . . . . . . . . . . . . . . . |
$$ | . O X . . . . . . . . . . . . . . . . |
$$ | . . B . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , O . . |
$$ | . . . X . . . . . . . . . . O . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ +---------------------------------------+[/go]

Re: Malkovich #23 - dfan vs Loons

Posted: Mon Apr 26, 2010 4:35 pm
by dfan
Click Here To Show Diagram Code
[go]$$Wc Move 18
$$ +---------------------------------------+
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . O O X . . . . . . . . . . . . . . |
$$ | . . O X . X . . . , W . . . . X . . . |
$$ | . . O X . . . . . . . . . . . . . . . |
$$ | . O X . . . . . . . . . . . . . . . . |
$$ | . O X . . . . . . . . . . . . . . . . |
$$ | . . X . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , O . . |
$$ | . . . X . . . . . . . . . . O . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ +---------------------------------------+[/go]

OK, he decided not to go for a risky move up top. My kyu brain thinks he probably made the right decision, but I'd like to know whether I'm right or not.

Now I really have to react to his wall before he can make a perfect extension from it; if he played on the star point, say, I would be really sad. I really need to be able a two-space extension in either direction, so my only options are L16 or L17.

I actually had only been considering L17 until I was about to hit submit, and then I suddenly considered L16 and changed my mind. If I played at L17, it seems really easy for me to make another small group on the side and leave Black with gigantic central influence. Since every stone of his on the board (save the one in the lower left) is oriented towards influence, I think I should work against that.

I'm much more comfortable with the kinds of positions that result from me playing on the third line, but L16 feels right, and the point of this game is to learn anyway! Also, if I were Black, I think this move would annoy me more, and that's always a good criterion for selecting moves.

One more thing: one reason I'm a little uncomfortable with this move is that normally I'd want to either invade (play on the third line and live) or reduce (play on the sector line), so playing here could be too wishy-washy. But I think there's enough room to do either here, depending on how things go, so I'm not as concerned as maybe I should be.

Re: Malkovich #23 - dfan vs Loons

Posted: Mon Apr 26, 2010 5:49 pm
by Loons
Hmmm, how'm I gonna cope with the wedge... This calls for some thought.

Ok ladies and gents, here`s the game plan. I want to move his wedge towards my massive thickness in the top left, so obviously I will be playing from the right. Good! That 4-4 wants more friends. Lets do some speculation.

Click Here To Show Diagram Code
[go]$$Bc Game Plan
$$ +---------------------------------------+
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . O O X . . . . . . . 1 . . . . . . |
$$ | . . O X . X . . . , O . . . . X . . . |
$$ | . . O X . . . . . . . . . . . . . . . |
$$ | . O X . . . . . . . . . . . . . . . . |
$$ | . O X . . . . . . . . . . . . . . . . |
$$ | . . X . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , O . . |
$$ | . . . X . . . . . . . . . . O . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ +---------------------------------------+[/go]
This move gives me a good feeling right away, it`s my instinctual play. Let`s think about his options.

Click Here To Show Diagram Code
[go]$$Wc Some jumps
$$ +---------------------------------------+
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . O O X . . . . . . . X . . . . . . |
$$ | . . O X . X . . . , O . . . . X . . . |
$$ | . . O X . . . . . . . . 2 . . . . . . |
$$ | . O X . . . . . . . 1 . . . . . . . . |
$$ | . O X . . . . . . . . . 4 . . . . . . |
$$ | . . X . . . . . . . 3 . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , O . . |
$$ | . . . X . . . . . . . . . . O . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ +---------------------------------------+[/go]
Black is gaining power in the top right as White reduces the top left. I could play this as black... I have trouble seeing whether this is good or bad for me. Depending on his 5 here, I might try and do some magical cutting of the one point jumps.

Click Here To Show Diagram Code
[go]$$Wc Cuttable moves I plan to cut, so I can bring my local advantage to bare.
$$ +---------------------------------------+
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . O O X . . . . . . . X . . . . . . |
$$ | . . O X . X . . . , O 2 . . . X . . . |
$$ | . . O X . . . . . . . . 1 . . . . . . |
$$ | . O X . . . . . . . . . . . . . . . . |
$$ | . O X . . . . . . . . . . . . . . . . |
$$ | . . X . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , O . . |
$$ | . . . X . . . . . . . . . . O . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ +---------------------------------------+[/go]



>Concerns

Click Here To Show Diagram Code
[go]$$Wc Move 18
$$ +---------------------------------------+
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . O O X . . . . . . . X . . . . . . |
$$ | . . O X . X . . . , O . . . . X . . . |
$$ | . . O X . . . . . 6 4 2 . . . . . . . |
$$ | . O X . . . . . . 5 3 . . . . . . . . |
$$ | . O X . . . . . . . . . . . . . . . . |
$$ | . . X . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . 7 . . . . . 1 . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , O . . |
$$ | . . . X . . . . . . . . . . O . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ +---------------------------------------+[/go]
Maybe a bit dubious... What if he treats his stone lightly? I profit, but he gains some framework of his own... This does suggest to me however that I could play a contact play against him, with the idea of making his stone heavier.

Contact is a double edged sword... Fundamentally, by touching a weak stone I am making it stronger, by inviting a local play (increases liberties, etc) but the stones have also gained value, stopping him from treating them lightly. I don't really know any common sequences for this, however. Some speculation...

Click Here To Show Diagram Code
[go]$$Bc
$$ +---------------------------------------+
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . O O X . . . . . . 2 3 . . . . . . |
$$ | . . O X . X . . . , O 1 . . . X . . . |
$$ | . . O X . . . . . . . . . . . . . . . |
$$ | . O X . . . . . . . . . . . . . . . . |
$$ | . O X . . . . . . . . . . . . . . . . |
$$ | . . X . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , O . . |
$$ | . . . X . . . . . . . . . . O . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ +---------------------------------------+[/go]
Could be good for black, hopefully forces a (good) fight to start.

Click Here To Show Diagram Code
[go]$$Bc White becomes heavy, black has played an aesthetically bad move
$$ +---------------------------------------+
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . O O X . . . . . . . . . . . . . . |
$$ | . . O X . X . . . , O 1 . . . X . . . |
$$ | . . O X . . . . . . 2 . . . . . . . . |
$$ | . O X . . . . . . . . . . . . . . . . |
$$ | . O X . . . . . . . . . . . . . . . . |
$$ | . . X . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , O . . |
$$ | . . . X . . . . . . . . . . O . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ +---------------------------------------+[/go]
White now must defend the white stones against black`s attacks... Can black still attack effectively?
Click Here To Show Diagram Code
[go]$$Bc
$$ +---------------------------------------+
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . O O X . . . . . . 5 8 . . . . . . |
$$ | . . O X . X . . . , O X 4 . . X . . . |
$$ | . . O X . . . . . . O 2 3 6 . . . . . |
$$ | . O X . . . . . . . . 1 7 . . . . . . |
$$ | . O X . . . . . . . . . . . . . . . . |
$$ | . . X . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , O . . |
$$ | . . . X . . . . . . . . . . O . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ +---------------------------------------+[/go]
Not looking great...

Click Here To Show Diagram Code
[go]$$Bc
$$ +---------------------------------------+
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . 9 . . . . . . |
$$ | . . O O X . . . . . . 7 8 . . . . . . |
$$ | . . O X . X . . . , O X 6 . . X . . . |
$$ | . . O X . . . . . . O 4 5 . . . . . . |
$$ | . O X . . . . . . . . . 1 . . . . . . |
$$ | . O X . . . . . . . 2 . . . . . . . . |
$$ | . . X . . . . . . . . 3 . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , O . . |
$$ | . . . X . . . . . . . . . . O . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ +---------------------------------------+[/go]
Hmm...

I'm gonna take a break and then think about it some more :/

Re: Malkovich #23 - dfan vs Loons

Posted: Mon Apr 26, 2010 6:43 pm
by Loons
Click Here To Show Diagram Code
[go]$$Wc Move 19
$$ +---------------------------------------+
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . O O X . . . . . . . . . . . . . . |
$$ | . . O X . X . . . , O B . . . X . . . |
$$ | . . O X . . . . . . . . . . . . . . . |
$$ | . O X . . . . . . . . . . . . . . . . |
$$ | . O X . . . . . . . . . . . . . . . . |
$$ | . . X . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , O . . |
$$ | . . . X . . . . . . . . . . O . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ +---------------------------------------+[/go]
?!
Alright, I find M16 too exciting not to play. I'm happy I won't be able to see people's stern disapproval at touching a weak stone that I need to attack. I think this situation will allow me to try and exercise my reading / fighting / tesuji.

Oh, for the audience who are currently thinking "what is he thinking?!" - my concepts of making a group heavy and then driving it towards my thickness come from my remembrances of Kato Masao's Attack and Kill. Sure, I might be applying it wrong, but this is a move that feels good to me, Loons, KGS 5 kyu.

Also, this move will presumably diverge from his plan. No-one plans for this. If he tenukis, the follow up play L15 looks too good for black.

Also, some better "light" play maybe by white;

Click Here To Show Diagram Code
[go]$$Wc White plays with agility
$$ +---------------------------------------+
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . O O X . . . . . . . X . . . . . . |
$$ | . . O X . X . . . , O . . . . X . . . |
$$ | . . O X . . . . . . . 2 . . . . . . . |
$$ | . O X . . . . . . 3 . . . . . . . . . |
$$ | . O X . . . . . . . . . . . . . . . . |
$$ | . . X . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . 1 . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , O . . |
$$ | . . . X . . . . . . . . . . O . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ +---------------------------------------+[/go]