Why is one pro better than another?
Posted: Mon Jun 13, 2016 9:48 am
I have long been intrigued what makes one pro better than another, and I've never seen any substantial discussion of the topic.
It's fairly clear what's NOT vital to the discrimination. For example, there are dozens of pros, even some amateurs, who are better than the most successful pros at life and death, and they tend not just to lag behind but lag far behind (e.g. 4-dan as opposed to 9-dan).
It can't be studying traps and the latest josekis because even if a trap works it's a one-off. And there are countless cases (in chess, too) where a top pro, faced with a new move or a prepared trap finds a refutation over the board. (In passing, as a spectator I find that one of the most satisfying things to watch - if I could do that myself I would be squirming with pleasure.)
Fighting spirit (kiai) is often mentioned, and I think it can make a difference but I'm not convinced it's the answer. After all, a pro can show massive fighting spirit and still be taken apart by a calm opponent.
From my own observations, among players of roughly equal grade, I don't think it's anything to do with knowledge of go principles or techniques at all. I think it's about "attitude". I've mentioned before that I've noticed this word being bandied around a lot by top pros. The more I've seen it, the more I've thought about, and the more convinced I am that it is the answer. Indeed, I think it explains differences between skilled people in almost any profession.
I was therefore pleasantly surprised to see some confirmation of this in a short piece by Segoe Kensaku (then 7-dan) on the go style of Nakagawa Kamesaburo 8-dan, who had just died. this was 1928. You might know Nakagawa best as Ishii Senji, a great rival of Honinbo Shuei whom he might have outdone had he been able to stay away from the sake bottle.
It seems simplest just to translate the memorial:
Nakagawa Kamesaburo had been an invalid for a long time and has now suddenly passed away. It is a matter of the greatest regret that the go world has lost its eldest statesman.
Fortunately there are those who will speak elsewhere about his career and his qualities, and so I thought I would remember him by talking a little about his go style.
If we were to describe his art in a word, it would to say that he was a virtuoso. To put that in sumo terms, he would stand up to any challenge from an opponent because he has such a wide range of accomplishments. For example, in the fuseki he would never claim that you had to play this way or that way. Instead he would calmly play according to the opponent he was facing.
I once got his comments on a game I played with a certain high-dan player, giving two stones. In general, a player who takes two stones will lose about ten points anyway and so you shouldn't really play any special strategies or try new schemes, or try to hurry things along. The important thing is to aim at the opponent's weaknesses. As soon as the opponent does play a slack move or shows poor technique that is when you start fighting ferociously. Once that happens, because your opponent is weaker than you the game goes in your favour and the handicap disappears. "People like you," he told me, "try traps and stratagems from the very beginning and because these can go wrong you end up losing."
I felt this was a really interesting comment and it has left a lasting memory even today.
There is nothing special in the actual comment. What is special is that an 8-dan pro felt it had to be made to a 7-dan pro! To improve, the 7-dan needed to adjust his attitude, not his skill.
Perhaps this was behind Yi Se-tol's loss to AlphaGo? He was rather dismissive of his opponent before the event, wasn't he? Perhaps AlphaGo's biggest advantage is that it will never have an attitude problem!
It's fairly clear what's NOT vital to the discrimination. For example, there are dozens of pros, even some amateurs, who are better than the most successful pros at life and death, and they tend not just to lag behind but lag far behind (e.g. 4-dan as opposed to 9-dan).
It can't be studying traps and the latest josekis because even if a trap works it's a one-off. And there are countless cases (in chess, too) where a top pro, faced with a new move or a prepared trap finds a refutation over the board. (In passing, as a spectator I find that one of the most satisfying things to watch - if I could do that myself I would be squirming with pleasure.)
Fighting spirit (kiai) is often mentioned, and I think it can make a difference but I'm not convinced it's the answer. After all, a pro can show massive fighting spirit and still be taken apart by a calm opponent.
From my own observations, among players of roughly equal grade, I don't think it's anything to do with knowledge of go principles or techniques at all. I think it's about "attitude". I've mentioned before that I've noticed this word being bandied around a lot by top pros. The more I've seen it, the more I've thought about, and the more convinced I am that it is the answer. Indeed, I think it explains differences between skilled people in almost any profession.
I was therefore pleasantly surprised to see some confirmation of this in a short piece by Segoe Kensaku (then 7-dan) on the go style of Nakagawa Kamesaburo 8-dan, who had just died. this was 1928. You might know Nakagawa best as Ishii Senji, a great rival of Honinbo Shuei whom he might have outdone had he been able to stay away from the sake bottle.
It seems simplest just to translate the memorial:
Nakagawa Kamesaburo had been an invalid for a long time and has now suddenly passed away. It is a matter of the greatest regret that the go world has lost its eldest statesman.
Fortunately there are those who will speak elsewhere about his career and his qualities, and so I thought I would remember him by talking a little about his go style.
If we were to describe his art in a word, it would to say that he was a virtuoso. To put that in sumo terms, he would stand up to any challenge from an opponent because he has such a wide range of accomplishments. For example, in the fuseki he would never claim that you had to play this way or that way. Instead he would calmly play according to the opponent he was facing.
I once got his comments on a game I played with a certain high-dan player, giving two stones. In general, a player who takes two stones will lose about ten points anyway and so you shouldn't really play any special strategies or try new schemes, or try to hurry things along. The important thing is to aim at the opponent's weaknesses. As soon as the opponent does play a slack move or shows poor technique that is when you start fighting ferociously. Once that happens, because your opponent is weaker than you the game goes in your favour and the handicap disappears. "People like you," he told me, "try traps and stratagems from the very beginning and because these can go wrong you end up losing."
I felt this was a really interesting comment and it has left a lasting memory even today.
There is nothing special in the actual comment. What is special is that an 8-dan pro felt it had to be made to a 7-dan pro! To improve, the 7-dan needed to adjust his attitude, not his skill.
Perhaps this was behind Yi Se-tol's loss to AlphaGo? He was rather dismissive of his opponent before the event, wasn't he? Perhaps AlphaGo's biggest advantage is that it will never have an attitude problem!