I didn't check KataGo just now but I think I had the same or similar position in a practice game with KataGo some months ago, it was confusing.
First thing is that black maybe isn't that much bigger than white. Maybe 7 points and the direction of black's or white's shape could go either way.
Maybe the main thing then, which I vaguely recall, is that it is awkward for black to lean onto white. See diagrams.
$$B Black is awkward, liberties are short.
$$ +------------------------
$$ | . . O . . . . . . . . .
$$ | . O O O O O . . . . . .
$$ | . X O X O X O O . . . .
$$ | . X O X X X X O . , . .
$$ | . X X O X . X 1 2 . . .
$$ | . . . O O . . . 3 4 . .
$$ | . . X . . . X . . . . .
$$ | . . . . X . . . . . . .
$$ | . . . . . . . . . . . .
$$ | . . . , . . . . . , . .
- Click Here To Show Diagram Code
[go]$$B Black is awkward, liberties are short.
$$ +------------------------
$$ | . . O . . . . . . . . .
$$ | . O O O O O . . . . . .
$$ | . X O X O X O O . . . .
$$ | . X O X X X X O . , . .
$$ | . X X O X . X 1 2 . . .
$$ | . . . O O . . . 3 4 . .
$$ | . . X . . . X . . . . .
$$ | . . . . X . . . . . . .
$$ | . . . . . . . . . . . .
$$ | . . . , . . . . . , . .[/go]
$$B This doesn't make much sense in the detail, I think, but maybe for illustrating a point. 11 at half black point.
$$ +------------------------
$$ | . . O . . . . . . . . .
$$ | . O O O O O . . . . . .
$$ | . X O X O X O O . . . .
$$ | . X O X X X X O . , . .
$$ | . X X O X . X 2 1 5 . .
$$ | . . . O O . 9 3 4 . 7 .
$$ | . . X . . A X 8 6 . . .
$$ | . . . . X . 0 . . . . .
$$ | . . . . . . . . . . . .
$$ | . . . , . . . . . , . .
- Click Here To Show Diagram Code
[go]$$B This doesn't make much sense in the detail, I think, but maybe for illustrating a point. 11 at half black point.
$$ +------------------------
$$ | . . O . . . . . . . . .
$$ | . O O O O O . . . . . .
$$ | . X O X O X O O . . . .
$$ | . X O X X X X O . , . .
$$ | . X X O X . X 2 1 5 . .
$$ | . . . O O . 9 3 4 . 7 .
$$ | . . X . . A X 8 6 . . .
$$ | . . . . X . 0 . . . . .
$$ | . . . . . . . . . . . .
$$ | . . . , . . . . . , . .[/go]
I think there are similar issues with other moves that cover or lean on white.
What I think I recall is that in my particular game the white suji was eventually not to peep but this keima. Maybe the threat is stronger than the execution, like they say in chess.
$$W Good suji?
$$ +------------------------
$$ | . . O . . . . . . . . .
$$ | . O O O O O . . . . . .
$$ | . X O X O X O O . . . .
$$ | . X O X X X X O . , . .
$$ | . X X O X . X . . . . .
$$ | . . . O O . . . 1 . . .
$$ | . . X . . . X . . . . .
$$ | . . . . X . . . . . . .
$$ | . . . . . . . . . . . .
$$ | . . . , . . . . . , . .
- Click Here To Show Diagram Code
[go]$$W Good suji?
$$ +------------------------
$$ | . . O . . . . . . . . .
$$ | . O O O O O . . . . . .
$$ | . X O X O X O O . . . .
$$ | . X O X X X X O . , . .
$$ | . X X O X . X . . . . .
$$ | . . . O O . . . 1 . . .
$$ | . . X . . . X . . . . .
$$ | . . . . X . . . . . . .
$$ | . . . . . . . . . . . .
$$ | . . . , . . . . . , . .[/go]
I might misremember but it makes sense to me now that if white has good suji to block black and black doesn't have anything as natural then that is a big shape thing. This reminds me of something I read recently in a book called Shape Up!, by someone that hasn't been seen on L19 for awhile, about "gain lines". Which isn't defined in the book, as far as I can tell, but it is the contact line between two groups that you must cross if you wish to push the other side back.
At first it would appear as if the gain line is diagonal, the first diagram, but it appears that white already has the upper hand, second diagram, due to black's move here being awkward.
The way I draw the lines probably doesn't make much sense, it might overemphasis the difference
$$W Apparent gain line?
$$ +------------------------
$$ | . . O . . . . . . . . .
$$ | . O O O O O . . . . . .
$$ | . X O X O X O O . . . .
$$ | . X O X X X X O . , . .
$$ | . X X O X . X . . . . .
$$ | . . . O O . . . . . . .
$$ | . . X . . . X . . . . .
$$ | . . . . X . . . . . . .
$$ | . . . . . . . . . . . .
$$ | . . . , . . . . . , . .
$$ {AR H15 M12}
- Click Here To Show Diagram Code
[go]$$W Apparent gain line?
$$ +------------------------
$$ | . . O . . . . . . . . .
$$ | . O O O O O . . . . . .
$$ | . X O X O X O O . . . .
$$ | . X O X X X X O . , . .
$$ | . X X O X . X . . . . .
$$ | . . . O O . . . . . . .
$$ | . . X . . . X . . . . .
$$ | . . . . X . . . . . . .
$$ | . . . . . . . . . . . .
$$ | . . . , . . . . . , . .
$$ {AR H15 M12}[/go]
$$W Real gain line?
$$ +------------------------
$$ | . . O . . . . . . . . .
$$ | . O O O O O . . . . . .
$$ | . X O X O X O O . . . .
$$ | . X O X X X X O . , . .
$$ | . X X O X . X . . . . .
$$ | . . . O O . . . . . . .
$$ | . . X . . . X . . . . .
$$ | . . . . X . . . . . . .
$$ | . . . . . . . . . . . .
$$ | . . . , . . . . . , . .
$$ {AR H15 K10}
- Click Here To Show Diagram Code
[go]$$W Real gain line?
$$ +------------------------
$$ | . . O . . . . . . . . .
$$ | . O O O O O . . . . . .
$$ | . X O X O X O O . . . .
$$ | . X O X X X X O . , . .
$$ | . X X O X . X . . . . .
$$ | . . . O O . . . . . . .
$$ | . . X . . . X . . . . .
$$ | . . . . X . . . . . . .
$$ | . . . . . . . . . . . .
$$ | . . . , . . . . . , . .
$$ {AR H15 K10}[/go]
How about this as an explanation?