Here is move 26 from the Oya-Kataoka game.
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[go]$$Wcm26 Oya (W) - Kataoka
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . X . X O . . . X . . . 1 . . |
$$ | . . . O . . . X O , O . . . . X . . . |
$$ | . . . . . . . . X O . . . . . . . . . |
$$ | . . O . . . . . X . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . B . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . W . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . X X . . . . . . . . . . . . . . . |
$$ | . . O X . . . . . . . . . . . . O . . |
$$ | . . O , . . . . . , . . . X . , . . . |
$$ | . . . O . O . . . . . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]
I am unfamiliar with Mizuguchi's system, but I do have a book by Sonoda. Anyway, they both count stones, as do I.

After

each player has 7 stones on the top side and corners. Playing catch-up in the number of stones is normal. As for the top half of the board, do we count the

stone? Well, we have to remember that these things are fuzzy. Maybe we should count it as 1/2 stone. Then White is not quite catching up, but I wouldn't call

stupid. And while we are looking at the fuzzy boundaries, what about the

stone? Surely it counts for something, maybe as much as the

stone.
Now, since Oya is a 9 dan, I expect that he saw at least as far ahead as the position after

. Along the way, he surely anticipated

, building up the Black wall.
- Click Here To Show Diagram Code
[go]$$Wcm34
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . X . X O . . . X . . X O . . |
$$ | . . . O . . . X O , O . . . . X O . . |
$$ | . . . . . . . . X O . . . . . . X O . |
$$ | . . O . . . . . X 1 . . . . . . X O . |
$$ | . . . . . . . . 2 3 . . . . . . X . . |
$$ | . . . . . . . . . 4 5 7 . . . . . . . |
$$ | . . . . . . . . . 8 6 . . . . . . . . |
$$ | . . . X . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . O . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . X X . . . . . . . . . . . . . . . |
$$ | . . O X . . . . . . . . . . . . O . . |
$$ | . . O , . . . . . , . . . X . , . . . |
$$ | . . . O . O . . . . . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]
The position after

.
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[go]$$Bcm51
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . 2 . . . . . . O X . . X O O . . |
$$ | . . . . . X . X O . O O X . . X O . . |
$$ | . . . O . . . X O , O X . . . X O . . |
$$ | . . . . . . . . X O . . X . . . X O . |
$$ | . . O . . . . . X O . . . . . . X O . |
$$ | . . . . . . . . X O . . . . . . X . . |
$$ | . . 1 . . . . . . X O O . . . . . . . |
$$ | . . . . . . . . . X X . . . . . . . . |
$$ | . . . X . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . O . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . X X . . . . . . . . . . . . . . . |
$$ | . . O X . . . . . . . . . . . . O . . |
$$ | . . O , . . . . . , . . . X . , . . . |
$$ | . . . O . O . . . . . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]
I am also sure that Oya anticipated the

-

exchange. I did.

If this is basically the position that Oya was aiming at, perhaps he underestimated the value of the Black wall, in conjunction with the Black stones on the left side. As

indicates, he was quite willing to let Black have that wall. Or perhaps he considered this his best chance to win the game.
- Click Here To Show Diagram Code
[go]$$Wcm26 Bolstering the White group
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . X . X O . . . X . . . . . . |
$$ | . . . O . . . X O , O . . . . X . . . |
$$ | . . . . . . . . X O . . 1 . . . . . . |
$$ | . . O . . . . . X . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . X . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . O . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . X X . . . . . . . . . . . . . . . |
$$ | . . O X . . . . . . . . . . . . O . . |
$$ | . . O , . . . . . , . . . X . , . . . |
$$ | . . . O . O . . . . . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]
The keima bolsters the White group, but may be too slow. White is certainly not giving Black any difficulties.
White's group on the top side is a thorn in his side, and feels heavy to me. Maybe White should not have made it in the first place.
- Click Here To Show Diagram Code
[go]$$Bcm17
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . X . . O . . . X . . . . . . |
$$ | . . . O . . . 1 2 , . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . O . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . X . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . O . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . X X . . . . . . . . . . . . . . . |
$$ | . . O X . . . . . . . . . . . . . . . |
$$ | . . O , . . . . . , . . . . . , . . . |
$$ | . . . O . O . . . . . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]
Maybe White should not play

, but allowing Black to press there hardly seems dynamic, either.
- Click Here To Show Diagram Code
[go]$$Wcm16 Wedge?
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . X . . O . . . X . . . . . . |
$$ | . . . O . . . . . , . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . O . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . X . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . 1 . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . X X . . . . . . . . . . . . . . . |
$$ | . . O X . . . . . . . . . . . . . . . |
$$ | . . O , . . . . . , . . . . . , . . . |
$$ | . . . O . O . . . . . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]
This is a wedge that I have surmised may be making a comeback. Anyway, it is not dynamic, either, and may be the main culprit. (Go Seigen, in his
21st Century Go set, is generally critical of wedges by White. I suspect that he would not have liked this one.)
- Click Here To Show Diagram Code
[go]$$Wcm16 Ogeima approach?
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . X . . O . . . X . . . . . . |
$$ | . . . O . . . . . , . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . O . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . X . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . X X . . . . . . . . . . . . 1 . . |
$$ | . . O X . . . . . . . . . . . . . . . |
$$ | . . O , . . . . . , . . . . . , . . . |
$$ | . . . O . O . . . . . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]
This approach is a play that Go Seigen, in those books, often recommends for the right side.
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[go]$$Wcm16 Kick?
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . 1 B . . O . . . X . . . . . . |
$$ | . . . O . . . . . , . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . O . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . X . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . 2 . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . X X . . . . . . . . . . . . . . . |
$$ | . . O X . . . . . . . . . . . . . . . |
$$ | . . O , . . . . . , . . . . . , . . . |
$$ | . . . O . O . . . . . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]
The kick would certainly be good if Black ran with the

stone, but locally it puts White 3 stones ahead (usually too many at this point in the game), and allows Black to make a Chinese formation on the right side.