I also have an interesting LeelaZero move to share.
We are all familiar with white 1, mostly regarded as a "handicap go" move, but sometimes seen in pro games too.
In my database, hane at "a" is the most often seen reply (92% of the cases), followed by the more aggressive "b" (5%).
The first interesting bit is that playing 1 with white seems to be a favorite of LZ's, while in human pro games it comes up only in about 3% of the cases in the pattern below.
This seems to be LZ specific, since I haven't seen AG do that so often.
$$W
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$$ . . . . . . . . . . . |
$$ . . . . . . . . . . . |
$$ . . . . . . . a . . . |
$$ . . . . . . . 1 X . . |
$$ . . . . . . . b . . . |
$$ . O . . . . . O . . . |
$$ . . . . . . . . . . . |
$$ . . . . . . . . . . . |
$$ . . . . . . . . . . . |
$$ ----------------------+
- Click Here To Show Diagram Code
[go]$$W
$$ . . . . . . . . . . . |
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$$ . . . . . . . . . . . |
$$ . . . . . . . . . . . |
$$ . . . . . . . a . . . |
$$ . . . . . . . 1 X . . |
$$ . . . . . . . b . . . |
$$ . O . . . . . O . . . |
$$ . . . . . . . . . . . |
$$ . . . . . . . . . . . |
$$ . . . . . . . . . . . |
$$ ----------------------+[/go]
The really interesting move though is black 2 below, which never appeared in any pro game in my database! I already saw this in so many LZ analysis sessions, that I realize it is a fundamental new way for LZ to deal with this sort of situation, and it seems to be firmly convinced that it is a good move, on par with the most common human way to reply to 1, which is to play hane at "a".
On my computer, black 2 below is favored by LZ over "a" initially (by "number of visits") for a long while, and it's only when both "a" and 2 get about 30K visits that "a" and 2 get comparable with each other (and take turns turning blue

).
$$W
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$$ . . . . . . . . . . . |
$$ . . . . . . . . . . . |
$$ . . . . . . . a . . . |
$$ . . . . . . . 1 X . . |
$$ . . . . . . . . 2 . . |
$$ . O . . . . . O . . . |
$$ . . . . . . . . . . . |
$$ . . . . . . . . . . . |
$$ . . . . . . . . . . . |
$$ ----------------------+
- Click Here To Show Diagram Code
[go]$$W
$$ . . . . . . . . . . . |
$$ . , . . . . . , . . . |
$$ . . . . . . . . . . . |
$$ . . . . . . . . . . . |
$$ . . . . . . . a . . . |
$$ . . . . . . . 1 X . . |
$$ . . . . . . . . 2 . . |
$$ . O . . . . . O . . . |
$$ . . . . . . . . . . . |
$$ . . . . . . . . . . . |
$$ . . . . . . . . . . . |
$$ ----------------------+[/go]
See below for LZ's favorite local continuation:
$$W
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$$ . . . . . . . . . . . |
$$ . . . . . . . .8. . . |
$$ . . . . . . . 6 . . . |
$$ . . . . . . . 1 X . . |
$$ . . . . . . . 3 2 . . |
$$ . O . . . . . O 4 . . |
$$ . . . . . . . 7 5 . . |
$$ . . . . . . . . . . . |
$$ . . . . . . . . . . . |
$$ ----------------------+
- Click Here To Show Diagram Code
[go]$$W
$$ . . . . . . . . . . . |
$$ . , . . . . . , . . . |
$$ . . . . . . . . . . . |
$$ . . . . . . . .8. . . |
$$ . . . . . . . 6 . . . |
$$ . . . . . . . 1 X . . |
$$ . . . . . . . 3 2 . . |
$$ . O . . . . . O 4 . . |
$$ . . . . . . . 7 5 . . |
$$ . . . . . . . . . . . |
$$ . . . . . . . . . . . |
$$ ----------------------+[/go]
See the next diagram for what is typically LZ's line of play for the human hane with 2.
The most common human move is "a" instead of "4", but LZ seems to prefer kosumi at 4 because it's easier to make eyes locally (with a follow-up for black at "b").
$$W
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$$ . . . . . . . . . . . |
$$ . . . . . . . . . . . |
$$ . . . . . . . 2 . . . |
$$ . . . . . . 3 1 X . . |
$$ . . . . . . . . a 4 . |
$$ . O . . . . . O . . . |
$$ . . . . . . . . 5 b . |
$$ . . . . . . . . . . . |
$$ . . . . . . . . . . . |
$$ ----------------------+
- Click Here To Show Diagram Code
[go]$$W
$$ . . . . . . . . . . . |
$$ . , . . . . . , . . . |
$$ . . . . . . . . . . . |
$$ . . . . . . . . . . . |
$$ . . . . . . . 2 . . . |
$$ . . . . . . 3 1 X . . |
$$ . . . . . . . . a 4 . |
$$ . O . . . . . O . . . |
$$ . . . . . . . . 5 b . |
$$ . . . . . . . . . . . |
$$ . . . . . . . . . . . |
$$ ----------------------+[/go]