22. Araban (5d) vs. zinger (1d)

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Phelan
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Re: Araban vs. zinger : Malkovich #22

Post by Phelan »

Araban wrote:So 1 is the move you want to play, with 2-4 as triggers, or is this just thoughts?

Triggers, from what I understand.
a1h1 [1d]: You just need to curse the gods and defend.
Good Go = Shape.
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Re: Araban vs. zinger : Malkovich #22

Post by zinger »

Correct, 1 is my actual move, the rest is conditional. You can accept 3, or 3 and 5, or neither.

btw I didn't know you were Sol.ch when I started .. now I am scared of all your trick moves since I don't use references :shock:
Main Entry: zing·er Pronunciation: \ˈziŋ-ər\
1 : something causing or meant to cause interest, surprise, or shock
2 : a pointed witty remark or retort
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Re: Araban vs. zinger : Malkovich #22

Post by Solomon »

Click Here To Show Diagram Code
[go]$$c
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . X . . . . . , . . . . . X O . . |
$$ | . . . . . . . . . . O . . . X . W . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]


To fwiffo:
I get an error when I try to embed: "You cannot use certain BBCodes: [flash]."
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Re: Araban vs. zinger : Malkovich #22

Post by zinger »

Another "trigger" offer:

Click Here To Show Diagram Code
[go]$$c
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . 2 1 3 . |
$$ | . . . X . . . . . , . . . . . X O . . |
$$ | . . . . . . . . . . O . . . X . O . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]


Aha, the complicated line :) I only remember a few moves of joseki here, so I'll have to wing it if he plays something unexpected. In general I expect to capture the corner, perhaps with crappy shape, but still decent profit.
Main Entry: zing·er Pronunciation: \ˈziŋ-ər\
1 : something causing or meant to cause interest, surprise, or shock
2 : a pointed witty remark or retort
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Re: Araban vs. zinger : Malkovich #22

Post by Solomon »

Click Here To Show Diagram Code
[go]$$c
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . W O X X . |
$$ | . . . X . . . . . , . . . . . X O . . |
$$ | . . . . . . . . . . O . . . X . O . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]

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Re: Araban vs. zinger : Malkovich #22

Post by zinger »

Click Here To Show Diagram Code
[go]$$c
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . O O X X . |
$$ | . . . X . . . . . , . . . . . X O . . |
$$ | . . . . . . . . . . O . . . X 1 O . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]


Click Here To Show Diagram Code
[go]$$c
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . c . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . O O X X . |
$$ | . . . X . . . . . , . . . . . B O . . |
$$ | . . . . . . . . . . O . a . B . O . . |
$$ | . . . . . . . . . . . . . b . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]

I need to capture the corner promptly, because the two marked stones are fairly fragile as they stand. Moving out with them does not seem feasible, for example if black a, white b. There is also something disturbing about white c. Furthermore I think white could live if allowed to move first in the corner, which would leave black split into two weak groups. Lastly, I think :b1: is joseki.
Main Entry: zing·er Pronunciation: \ˈziŋ-ər\
1 : something causing or meant to cause interest, surprise, or shock
2 : a pointed witty remark or retort
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Re: Araban vs. zinger : Malkovich #22

Post by Solomon »

Click Here To Show Diagram Code
[go]$$c
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . O O X X . |
$$ | . . . X . . . . . , . . . . . X O . . |
$$ | . . . . . . . . . . O . . . X X O . . |
$$ | . . . . . . . . . . . . . . . . W . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]

Warning: 36 hours of no sleep, so if anything sounds off then cut me some slack :p. Also, trying different SGF editor:
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Re: Araban vs. zinger : Malkovich #22

Post by zinger »

Click Here To Show Diagram Code
[go]$$c
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . O O X X . |
$$ | . . . X . . . . . , . . . . . X O 1 . |
$$ | . . . . . . . . . . O . . . X X O . . |
$$ | . . . . . . . . . . . . . . . . O . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]


Well I'm out of my joseki knowledge now, so only my own reading to guide me. This is when a Go game really starts for me :)

Per my last comment, I think I need to continue capturing the corner stones as long as he is playing in there. I also considered trying to move out with on the bottom side, but:

Click Here To Show Diagram Code
[go]$$c
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . O O X X . |
$$ | . . . X . . . . . , . . 1 3 4 X O 0 . |
$$ | . . . . . . . . . . O . 7 2 X X O . . |
$$ | . . . . . . . . . . . . . 5 6 8 O . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]


.. and white lives. With the cutting stones active and black weak on both sides, this is too good for white.

I worried about some tricks by white but I think it's ok:

Click Here To Show Diagram Code
[go]$$c
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . O O X X . |
$$ | . . . X . . . . . , . . . 0 6 X O 1 . |
$$ | . . . . . . . . . . O . 9 2 X X O . . |
$$ | . . . . . . . . . . . . a 3 4 5 O . . |
$$ | . . . . . . . . . . . . . . 7 . 8 . . |
$$ ---------------------------------------[/go]


.. and 11 at a. Although this may mean that moves near here will be sente for white, setting up this sequence. Caution for the future ..
Main Entry: zing·er Pronunciation: \ˈziŋ-ər\
1 : something causing or meant to cause interest, surprise, or shock
2 : a pointed witty remark or retort
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Re: Araban vs. zinger : Malkovich #22

Post by Chew Terr »

Kirby, fix your hide tags =)
Someday I want to be strong enough to earn KGS[-].
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Re: Araban vs. zinger : Malkovich #22

Post by Kirby »

Sorry, the wifi I'm using right now is really slow, and I din't realize I'd even posted, yet... Let's try this again...
be immersed
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Re: Araban vs. zinger : Malkovich #22

Post by Kirby »

If I were white, I might play as follows next instead of as zinger's
second hidden sequence:

Click Here To Show Diagram Code
[go]$$W
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . O O X X . |
$$ | . . . X . . . . . , . . . . . X O X . |
$$ | . . . . . . . . . . O . . 1 X X O . . |
$$ | . . . . . . . . . . . . 3 2 . . O . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]


Black has a few options after this, but white can probably get away
with outside influence and sente.

If black:
Click Here To Show Diagram Code
[go]$$c
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . O O X X . |
$$ | . . . X . . . . . , . . 4 2 . X O X . |
$$ | . . . . . . . . . . O . 1 O X X O . . |
$$ | . . . . . . . . . . . . O X 3 . O 5 . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]



white gets sente and some decent outside influence.

If black:
Click Here To Show Diagram Code
[go]$$c
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . O O X X . |
$$ | . . . X . . . . . , . . . 2 . X O X . |
$$ | . . . . . . . . . . O . . O X X O . . |
$$ | . . . . . . . . . . . . O X 1 . O 3 . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]


white still gets influence and sente.


If black:
Click Here To Show Diagram Code
[go]$$c
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . 8 9 . . . . |
$$ | . . . . . . . . . . . . 6 7 O O X X . |
$$ | . . . X . . . . . , . . . 1 3 X O X . |
$$ | . . . . . . . . . . O . 2 O X X O . . |
$$ | . . . . . . . . . . . . O X 4 5 O . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]


Click Here To Show Diagram Code
[go]$$W
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . 3 . . . . |
$$ | . . . . . . . . . . . . 2 O B 1 . . . |
$$ | . . . . . . . . . . a 5 O X O O X X . |
$$ | . . . X . . . . . , 7 6 4 X X X O X . |
$$ | . . . . . . . . . . O . O O X X O . . |
$$ | . . . . . . . . . . . . O X W X O . . |
$$ | . . . . . . . . . . . . . . 8 . . . . |
$$ ---------------------------------------[/go]


White has a bit of aji around a, but black is sealed in.  White can
decide between protecting around a, or taking sente.


In all of these cases, white has the option of taking sente.  One
possibility is for white to use this chance to play first in the top
left, which is pretty big since this is a handicap game.  I think that the branches that start from :w3: in the original diagram are all promising for white.
be immersed
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Solomon
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Re: Araban vs. zinger : Malkovich #22

Post by Solomon »

Click Here To Show Diagram Code
[go]$$c Move 11
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . O O X X . |
$$ | . . . X . . . . . , . . . . . X O X . |
$$ | . . . . . . . . . . O . . W X X O . . |
$$ | . . . . . . . . . . . . . . . . O . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]

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zinger
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Re: Araban vs. zinger : Malkovich #22

Post by zinger »

Click Here To Show Diagram Code
[go]$$c Move 11
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . O O X X . |
$$ | . . . X . . . . . , . . . . . X O X . |
$$ | . . . . . . . . . . O . . O X X O . . |
$$ | . . . . . . . . . . . . . 1 . . O . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]



Clearly forced. Black has fewer liberties so cannot simply fill one on the right. I am interested what white will choose next, a b or c. In situations like this I generally don't bother thinking about white's next move at all. My move right now is forced, so I will just wait for white and then use my mental energy thinking about his actual move, rather than moves he might make. Of course saving mental energy is more applicable to timed games.

Click Here To Show Diagram Code
[go]$$
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . O O X X . |
$$ | . . . X . . . . . , . . . c . X O X . |
$$ | . . . . . . . . . . O . b O X X O . . |
$$ | . . . . . . . . . . . . . 1 a . O . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]
Main Entry: zing·er Pronunciation: \ˈziŋ-ər\
1 : something causing or meant to cause interest, surprise, or shock
2 : a pointed witty remark or retort
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Solomon
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Re: Araban vs. zinger : Malkovich #22

Post by Solomon »

Click Here To Show Diagram Code
[go]$$c Move 13
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . X . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . O O X X . |
$$ | . . . X . . . . . , . . . . . X O X . |
$$ | . . . . . . . . . . O . . O X X O . . |
$$ | . . . . . . . . . . . . W X . . O . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]

AQ vs. AK is cursed (you'll get it when you see the video):

And is it just me or is the sound quality from the internal mic on my Macbook pretty good :shock:? I might just not bother with the headset if people think the sound in the video's okay.
Bill Spight
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Re: Araban vs. zinger : Malkovich #22

Post by Bill Spight »

[sgf-full](;ST[2]GM[1]AP[GOWrite:2.2.21]SZ[19]CA[ISO8859-1]FF[4]GN[ ]PM[2]FG[259:]PW[ ]AB[pd][dp]PB[ ]
;W[qp]
;B[oq]
;W[kq]
;B[pp]
;W[qq]
;B[qo]
;W[po]
;B[ro]
;W[oo]
;B[pq]
;W[qr]
;B[rp]
;W[nq]
;B[nr]
;W[mr]
;B[np]
;W[mq]
;B[no]
;W[nn]
;B[op]
;W[mo]
;B[on]
;W[pn]
;B[om]
;W[pm]
;B[pl]
;W[qm]
;B[ol]
(
;W[mn]
;B[rm]
;W[ql]
;B[qk]
;W[rl]
;B[rk]
;W[rn]
;B[qn]
;W[sm]
;B[sk]
;W[sl]
;B[sn]
;W[so]
;B[sp]
)
(
;W[mp]
;B[mn]
;W[nm]
;B[mm]
;W[nl]
;B[nk]
)

)[/sgf-full]

From the book, Joseki and Tricks (Joseki to Torikku) by Sakata, starting with a 2 space high pincer. :)
The Adkins Principle:
At some point, doesn't thinking have to go on?
— Winona Adkins

Visualize whirled peas.

Everything with love. Stay safe.
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