Let's consider two basic points at the beginning of the game. First, in the very first exchange in the upper left, White replies to

with the low play at

. This is a tight, territory-oriented reply. Black then plays high with

(a little more aggressive than "a", which leaves an invasion point at "b"). This starts to build a framework on the left side. So what should White do next?
The approach chosen at

is from the wrong direction. It says, "OK, Black is building up a framework stretching from the upper left around the lower left to the lower right. I will counter it with my own framework stretching around the upper right." But, this idea directly contradicts

! White has started out territorially and now decides to match moyo to moyo. This change of direction one move later is not likely to turn out well.
What do the pros do? GoGoD has about 40 professional games with the position after

. In none of them does White approach the lower right corner next.

Most of the time White approaches the lower left at one or the other of the points marked "c". There are also cases where White simply splits the lower side around "d".
- Click Here To Show Diagram Code
[go]$$Bcm5
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . 2 . . . . . . . . . . . . . |
$$ | . . . O . . . . . , . . . . . O . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . 1 . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . b . . . . . . . . . . . . . . . . |
$$ | . . . 3 . . . . . . . . . . . . . . . |
$$ | . . . a . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . c . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . X . . . . . , . . . . . X . . . |
$$ | . . . . . c . . . d . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]
Consider as well the analogous position in the Kobayashi fuseki below. GoGoD has almost 280 games with the

,

,

in the upper left. In almost 250 of the games White approaches the lower left corner at one of the points marked "a" next. There are actually a couple of games where White approaches the lower right, but from "b" rather than the other side.
- Click Here To Show Diagram Code
[go]$$Bcm5
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . 2 . . . . . . . . . . . . . |
$$ | . . . O . . . . . , . . . . . O . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . 1 . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . 3 . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . X , a a . . . , . . . . . X . . . |
$$ | . . . . a a . . . . . . . b . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]
Or consider the mini-Chinese. Black's framework is lower and definitely inviting a fight but still the overall concept of splitting up the board is similar. Out of almost 680 examples in GoGoD from the position shown, the pros played next around "a", splitting the side, about 620 times. In this case the next most popular idea was indeed approaching the lower right, but again at "b" (about 40 cases) rather than from the other side.
- Click Here To Show Diagram Code
[go]$$Bcm5
$$ ---------------------------------------
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . 2 . . . . . . . . . . . . . |
$$ | . . . O . . . . . , . . . . . O . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . 1 . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . , . . . . . , . . . |
$$ | . . 3 . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . , . . . . . a . . . . . X . . . |
$$ | . . . X . . . . . a a . . b . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ | . . . . . . . . . . . . . . . . . . . |
$$ ---------------------------------------[/go]
Second, Bill quotes Jowa regarding the pincer in the lower left, "Don't run!" However, the point may be a little obscure. I think it is more useful to realize that we should only jump out with a pincered stone when doing so makes (at least) two threats - and simply saving one stone is not a threat until late in the endgame.
Generally, we only want to jump out when doing so makes a threat on both sides of the pincered stone. In the game,

threatened to play around 21, but Black happily solved that problem by playing

himself. In the case where the marked Black stone is not on the board, White's usual second threat is the shoulder hit at "a". However, in the game there is no such threat and so in fact White is "only running" - against the advice of the masters! (Jowa and Bill that is

)
- Click Here To Show Diagram Code
[go]$$Wcm18
$$ | . . . . . . . . . . .
$$ | . . . B . . . . . . .
$$ | . . . , . . . . . , .
$$ | . . . a . . . . . . .
$$ | . . 2 . . . . . . . .
$$ | . . . . . . . . . . .
$$ | . . 1 . 3 . . . . . .
$$ | . . . . . . . . . . .
$$ | . . . X . 4 . . . X .
$$ | . . . . . . . . . . .
$$ | . . . . . . . . . . .
$$ | . . . . . . . . . . .
$$ -----------------------[/go]
_________________
Dave Sigaty"Short-lived are both the praiser and the praised, and rememberer and the remembered..."
- Marcus Aurelius; Meditations, VIII 21